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They Might Be Giants - Else CD Cover Art
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They Might Be Giants Else CD

 They Might Be Giants Discography of CDs
5 stars (2 Customer Reviews)

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 Our Price: $14.99  CD

Get They Might Be Giants ringtones on your cell phone!
Initial Pressings Includes "Cast Your Pod To The Wind" Bonus Disc.

With 2007's THE ELSE, the alternative-pop duo They Might Be Giants adds yet another album to its remarkably prolific and varied career. Featuring gleefully odd artwork ...    Full Description

Else Music


Detailed Else Music Information



List Price $17.98 (You save $2.99)
Category Rock/Pop Albums, Rock CDs, Pop, Alternative
Label Idlewild / Rounder
Orig Year 2007
All Time Sales Rank   37763  
CD Universe Part number 7446249
Catalog number 431117
Discs 1
Release Date Jul 10, 2007
Studio/Live Studio
Mono/Stereo Stereo
Producer They Might Be Giants; The Dust Brothers; Patrick Dillett
Engineer Anthony Ruotolo; Yuki Takahashi; Patrick Billard; Jon Altschuler; Greg Thompson; Danny Kalb; Alan Ford; Patrick Dillett
Recording Time 38 minutes
Personnel John Linnell - keyboards
John Flansburgh - guitars
Marty Beller - drums
Dan Solder Miller - guitar
Danny Weinkauf - bass guitar

Also: Justin Meldal-Johnsen, Lyle Workman, Stan Harrison, Mauro Refosco, Sharon Jones, Dan "The Machine" Levine, Jim O'Connor
Additional Info Bonus CD
They Might Be Giants Else Songs


They Might Be Giants Else Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.I'm Impressed
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Take Out the Trash
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Upside Down Frown
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Climbing the Walls
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Careful What You Pack
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Cap'm, The
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.With the Dark
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Shadow Government, The
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Bee of the Bird of the Moth
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Withered Hope  
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample11.Contrecoup
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample12.Feign Amnesia
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample13.Mesopotamians, The

Else Music


Else Other Versions



Else Music Review


Customer Else Reviews 




Average Rating: (5 out of 5 stars) 5 stars

5 stars TMBG are right on with this title
Like every TMBG disc this one really delivers classic sound we've come to expect.
Submitted by eris08 (Bath, ME)
Was This Review Helpful? Yes No

5 stars Classic TMBG
They're all great catchy very "TMBG" tunes. My fav in awhile.
Submitted by beege_man (Ann Arbor, MI, USA)
Was This Review Helpful? Yes No

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With THE HEAD ON THE DOOR Robert Smith and the boys achieve a distinctively Cure-like pop sensibility. These 10 songs combine the dreary dreamscape that is Smith's mind with melodies that are about as catchy as Goth music gets (just try not clapping your hands to "Close to Me"). Included on the album are "In Between Days" and "A Night Like This," each a successful single, and each a staple of the Cure's live show. Also noteworthy are the haunting lyrics of "The Blood" and "Kyoto Song," which Smith sings in his trademark high-pitched howl. Despite the gloom, this album represents perhaps the Cure's first real pop effort. It also represents a transition from the sparse instrumentation that characterizes ...
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In the days when hair metal ruled the rock roost, New Zealanders Crowded House made the world safe for graceful, McCartneyesque ...
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Jefferson Thomas Live
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There’s something about an outdoor live show that just doesn’t sound or feel like anything else. Put that show in New York’s Central Park, and now you’ve got a unique feel, a sound, an overall singular experience not quite like any other. New York’s own Jefferson Thomas has hosted an artist residency series in the park for the last two years now, and no one is more awestruck at the experience than the indie/twang/alt-rock singer-songwriter himself. Jefferson Thomas Live is his attempt to capture it. And more.“You do clubs, there’s a certain energy, and I like that. You do concerts, there’s that ‘huge’ thing, which is cool, too. You do acoustic listening rooms, there’s a purity and an intimacy there. The first time I did Central Park, it was all three. I was so ready for this ‘huge’ concert vibe, and it blew me away how wrong I was. Suddenly, it wasn’t about how much ass you and the band are kicking; there’s this vast frigging CITY out there. They gather around you, and there’s this whole community just buzzing, and if you try too hard to be the happening thing, you actually lose them. It’s like a Zen thing - if you try to dictate to them, you won’t get much out of it, but if you let them lead you, they’ll pull a show out of you that you never knew you had in you. What I love about the Central Park recordings is that we managed to capture it all; lots of people listening, some people actually not listening, kids running around, skateboard dudes wiping out, dogs barking, weddings going by - it’s all there.”What also is there is some fine rocking by Thomas and his band. The lazy boogie of “Rocket Rider” stretches out past the six-minute mark with a full swing breakdown, achieving jam-band proportions. “Mary’s Night Out” exudes a cannabis-tinged swagger that would make Tom Petty proud. “Dusty”, a rustic, swampy acoustic trip on 2005’s Come Alive album, gets downright noisy and nasty here. A daring a capella rendering of Sam Cooke’s “A Change Is Gonna Come” closes out the Central Park segment, and shows that Thomas doesn’t necessarily need a guitar to hide behind.But the best part about Jefferson Thomas Live might be six tracks in, where the setting changes to solo acoustic performances in smaller venues from stops in Phoenix and Los Angeles during Thomas’ summer tour of 2006. “Snake” was probably conceived as a heavy Soundgarden-esque rocker, but we’ll never know, because Thomas’ restrained, fingerpicked treatment delivers the cautionary tale of addiction just fine. “Gold” is Thomas burned out and rejuvenated all at once, and “Mrs. Sherwood” could be his Dylan moment.The album closes with two new studio offerings, “Thursday’s Girl” and “Grand Central Station”, both tightly-written and produced with enough modesty ...
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Track Listing of songs: Answer Me; I Know Him So Well; Another Suitcase Another Hall; January February; I Don't ...
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