| | Tania Tsanaklidou Ta Erotika CD - Import Tania Tsanaklidou Discography of CDs
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Our Price: $18.39 CDFor Sale Limited Availability
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Ta Erotika Music | List Price | $19.99 (You save $1.60) | | Category | World Albums, World Beat CDs | | Label | Universal | | CD Universe Part number | 7461584 | | Catalog number | 819996 | | Discs | 1 | | Release Date | Jan 01, 2008 |
Ta Erotika Review
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Purchase Ta Erotika CD To buy, Click on price to add to cart | Mariza Terra CD (2008) Bonus Track
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$13.49 Terra feels like an attempt to move Mariza into the musical mainstream. She's already established herself at the forefront of fado, as one of the leading performers of the emotive Portuguese style, and there's no doubt she possesses a wonderful voice. But the addition of several guests, such as Chucho Valdés, Ivan Lins, and Tito Paris (among others) seems to open up the seams between fado and other genres, including Brazilian music and jazz. It does so relatively subtly, and she keeps her base pretty firmly in ...
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$13.49 Though she's undoubtedly resigned to nearly eternal comparisons with Amalia Rodrigues, the master of Portugal's fado, Mariza's debut album finds her breaking out of the mold from the beginning. Newcomers to the fado will quickly become familiar with the style from the plaintive crystal of Mariza's ...
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$13.49 Transparente is Mariza's "big" album, it seems, the one designed to make her more than just the shining star of the new fado. The music connects the dots between Portugal and Brazil, giving an international quality to it all. Her voice is as crystal clear as ever, and production by Jacques Morelenbaum is wonderfully transparent. Yet there's a sheen to it all that seems intended to rub off any rough edges. You can hear it in the soft strings that cushion "Meu Fado Meu." It just seems to be trying too hard, rather than letting the music unfold. It's apparent, too, in the fact that the songs are all short -- the longest barely passes three-and-a-half minutes. Not that it's not a gorgeous album; it enfolds the ears like silk; Mariza herself has never sounded more seductive, and the cello on "Quando Me Sinto So" is as warm and inviting as a lover's kiss. But unlike her previous work, there seems an air of calculation about all this, the sense of deliberately seeking out a larger audience rather than allowing ...
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Ta Erotika album
$13.15 Born November 28, 1980 in the east Texas cotton town of Greenville, Brandon Johnson began playing seriously with his Back Porch Band while studying International Business and Marketing during his tenure at Baylor University in Waco, TX. After finding a comfortable home in the Alternative-Country/Roots-Rock genre, and following two smaller B-level releases (Self titled-2001 and A Long Time Coming-2003), Brandon recruited industry renowned producers Steven Collins (Deadman) and Pete Coatney (Jack Ingram's Beat Up Ford Band) in 2004 and began recording his first A-level major project. Brandon Johnson's SCREAM was released January 14, 2005 in an attempt to explore new sonic boundaries while still showcasing the intense imagery found in his writing. An all-original composition, SCREAM features songs that are as colorful as its name. From mood-treated ballads like Rebound and October Prayer to powerful, stadium-filled anthems like Breakdown and Little Sister , Brandon not only captured sincere emotion, but also succeeded in demonstrating his versatility in composition and arrangement. In 2003 Brandon found himself on the Texas Music Tour (TMT) with a long and distinguished list of Lone Star artists. And in the summer of 2004 the first ever Barefoot and Unplugged tour was launched. An enormous success, the Barefoot and Unplugged tour featured Brandon along with two selected guests in a raw 'stripped-down' setting at numerous acclaimed venues across Texas. However, even with constant playing and two major tours under his belt, Brandon was looking for another project to begin. Shortly after the U.S. release of SCREAM in January 2005, Brandon embarked on two national tour spanning some eighteen states in a total of 45 days. The All-American University Tours I and II (AAUT) concentrated on appearing and showcasing at major university towns across the United States. Critically acclaimed, AAUT was a huge hit at college towns, and bolstered the SCREAM to one of the hottest new independent releases in the U.S. and Europe. When he is not headlining and promoting his own events, Brandon showcases with regional and national acts. Having shared the stage with countless alt-country ...
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