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Puddle Of Mudd Famous CD

 Puddle Of Mudd Discography of CDs

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Puddle Of Mudd underwent a serious personnel overhaul following 2003's LIFE ON DISPLAY. Drummer Greg Upchurch jumped ship to join 3 Doors Down while guitarist Paul Phillips chose to follow his muse with new-to-the-scenesters Operator. POM founder Wes Scantlin (vocals, guitar) and longtime bassist Doug Ardito keep the Mudd sound intact here, though, moving a bit from the early nu-metal stylings to a more natural comfort zone of raunchy post-alt rock. The solid collection of songs on FAMOUS flaunts track after track of made-for-radio anthems, with Scantlin channeling Kurt Cobain's sneer as it communes with Layne Staley's predilection for sinister-sounding vocal harmonies.

Amp - Amended Produc

Puddle of Mudd: Douglas Ardito (vocals, guitar, bass guitar); Christian Stone (vocals, guitar); Wesley Scantlin (vocals, guitar synthesizer); Ryan Yerdon (drums).

Additional personnel: Tim Pierce (guitar, electric guitar); Duane Betts, Lee Miles, Andrew Berlin, Christopher Jak (guitar); Brian Howes (guitars); Tony Fagenson (acoustic guitar, electric guitar, piano, keyboards, bass guitar, percussion, programming, background vocals); Max Collins (acoustic guitar); Xandy Barry (electric guitar); Tony Battaglia (gut-string guitar); Howard Benson, Jamie Muhoberac (keyboards, programming); Abe Laboriel, Jr. (drums, percussion); Mark Pontius, Josh Freese, Kenny Aronoff (drums); Lenny Castro (percussion); Gabe Witcher (background vocals).

Famous Music


Detailed Famous Music Information



List Price $13.92 (You save $3.53)
Category Rock/Pop Albums, Rock CDs, Heavy Metal
Label Geffen
Orig Year 2007
All Time Sales Rank   186049  
CD Universe Part number 7462638
Catalog number 000937802
Discs 1
Release Date Oct 09, 2007
Studio/Live Studio
Mono/Stereo Stereo
Producer Puddle Of Mudd; Jason Livermore; Tony Fagenson; Brian Howes; Kara Dioguardi; Max Collins; Howard Benson; Jack Joseph Puig; Tony Battaglia; Bill Stevenson
Engineer Jason Livermore; Lee Miles; Matt Serrecchio; Hatsukazu Inagaki; Andrew Berlin; Jason "JVP" Van Poederooyen; Brian Coisne; Johnny Schou; Mike Plotnikoff; Dean Nelson; Tony Battaglia; Bill Stevenson; Tal Herzberg; Christopher Jak
Recording Time 38 minutes
Personnel Lenny Castro, Tim Pierce, Kenny Aronoff, Howard Benson, Jamie Muhoberac, Josh Freese, Abe Laboriel Jr., Brian Howes, Tony Battaglia, Gabe Witcher, Max Collins, Tony Fagenson, Andrew Berlin, Lee Miles, Xandy Barry, Christopher Jak, Duane Betts, Mark Pontius
Additional Info Edited
Puddle Of Mudd Famous Songs


Puddle Of Mudd Famous Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Famous  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Livin' on Borrowed Time  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.It Was Faith  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Psycho  $1.29
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.We Don't Have to Look Back Now  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Moonshine  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Thinking About You  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Merry Go Round  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.I'm So Sure  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample10.Radiate  $0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample11.If I Could Love You  $0.99

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If you are a country music fan, especially classic country music fan, than you no doubt have a strong opinion on Jim Reeves. He's either the Caruso of the genre or a pop sellout who brought about the ruin of the original, raw honky-tonk music, along with Chet Atkins, in favor of the countrypolitan sound. For those in the latter group, one listen to these radio transcriptions will change your mind forever. They were recorded for a show called "Country Music Time" for the U.S. Air Force over a period of a decade or so. These shows have long been buried in the Reeves vault, and were released to the folks at Bear Family by Mary Reeves, Jim's widow. Here's the rub: most of the tunes here will be well known to Reeves fans. There are classics such as "Am I Losing You," "Yonder Comes a Sucker," "Evening Prayer," "Have I Told You Lately That I Love You," "Four Walls," "Blue Boy," "Til The End of the World," and dozens of others. But there are also songs that even fans don't associate with Reeves that make their debuts here, many of them not on his recordings. The stunningly beautiful version of Woody Guthrie's "Oklahoma Hills" is one, and also his versions of Jimmy Rodgers' tunes, like "Waitin' for a Train," and Leon Payne's "Pride Comes Before a Fall." There are often two or three versions of a single tune like "Am I Losing You" or Roger Miller's "Billy Bayou," and two of "Evening Prayer." But in the different versions, recorded over the years, what becomes readily apparent is the change in Reeves' singing style -- it become a gorgeous strolling country baritone that effortlessly glides from one place to the next without jumping for a note. These latter performances are deeply moving for their range and diversity, but also for their considerable soulfulness. Another myth the box dispels is that Reeves was a studio construct. All of these sessions were recorded live, with cats who weren't usually part of his regular band. Literally, these shows were made with Nashville sessionmen learning the music on the fly, or performers who were familiar with it from some other source. Live Reeves is devastating in his originality and in his ability to communicate even the corniest lyric, such as Fred Rose's "Roly Poly." And on the ballads that were later layered in syrup by Atkins on studio recordings, such as "Anna Marie," and "Am I Losing You?," Reeves reaches deep into his gut for the right inflection to make the song authentic. Also, on "He'll Have to Go" and "Making Believe," the artist, according to Johnny Cash, had the servicemen silent and on the edge of their seats. Here too, these performances may just be the definitive recorded ones. An added bonus to the Reeves performances is the appearance of special guests on the radio programs, such as the Louvin brothers, Atkins, Jean Shepard, Wanda Jones (singing the ...
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Trumpeter Jim Rotondi brings together vibraphonist Joe Locke and pianist Mulgrew Miller for this vibrant Sharp Nine date. Trombonist Steve Davis guests on two tracks and contributes the stately bossa "Evening Shades of Blue." The rhythm is handled by bassist Peter Washington and drummer Joe Farnsworth. Rotondi's horn work, at once elegantly melodic and technically dazzling, provides a sonic centerpiece for the album, although it is the juxtaposition of Locke's vibes and Miller's authoritative piano that gives the music its most unique signature. Locke's own "Last Ditch Wisdom," a fast line that takes ...
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If it had done nothing other than record the Sonics' "Psycho" and "The Witch," Etiquette (operating out of Tacoma, WA) would probably be esteemed as the most notable Northwest independent rock label of the mid-1960s. It did a good deal more than that, though its total output wasn't that voluminous. This well-selected CD has a good chunk of it, the 24 tracks including five cuts by the Sonics. Those are certainly the most famed inclusions on this disc, though note that the versions of "Psycho" and "The Witch" here aren't the standard ones that have shown up on many compilations. In what might be a boon for serious collectors, if a slight disappointment for the relatively few people buying this CD who don't have those songs already, the version of "Psycho" is a previously unissued full-length take, while "The Witch" is a previously unissued alternate take with strange sounds produced by dragging a piece of metal over a guitar. Otherwise much of this collection will be unfamiliar even to most '60s garage collectors, with the exception of the Wailers' best and most powerful cut, "Out of Our Tree" (which appeared on the Nuggets box set). Much of the rest of the set has the kind of chunky, raunchy R&B-infused mid-1960s garage sound typical not just of the Sonics and the Wailers, but of much Northwest rock in general. And as one finds with ...
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