| | Divine Heresy Bleed The Fifth CD Divine Heresy Discography of CDs
 (4 Customer Reviews)
With its debut release, Divine Heresy is primed to take the extreme metal scene by storm. BLEED THE FIFTH packs so much anger and animosity into 10 songs, one would think that the band had been around for years--which it has, since Heresy is actually the project of former Fear Factory guitarist Dino Cazares. Also on board for BLEED THE FIFTH are drummer Tim Yeung (Vital Remains, Hate Eternal), bassist Tony Campo (Static-X), and vocalist Tommy Cummings (Snot). Produced by Logan Mader (Machine Head, Soulfly), BLEED THE FIFTH is a swift kick to metal's teeth.
Divine Heresy: Tommy Vest (vocals); Dino Cazares (guitar); Tim Yeung (drums).
Divine Heresy Bleed The Fifth Songs Bleed The Fifth Music Review Average Rating: (4 out of 5 stars)  Back - Bigger and Better
SO Dino was talked about so much over the last five years and was yet to really throw down as the riff master. Well, this is it - showing alot of bands the way in technical song construction and cohesive formatting of intensity. Album of the year !!
Submitted by Ocean (Melbourne, Australia)
Was This Review Helpful? Yes No 1 of 1 found this helpful.  INSANE
I like the fact that there are clean vocal breaks through out the songs. It gives more depth to the songs. I can appreciate the mellow side of the band. The heavy parts are in your face metal. This is the best metal album of 07. My only complant is that the songs could be a bit longer. The disc clocks in at a little over a half hour. WORTH THE DOE!
Submitted by ALLEN MOODY (VALPARAISO INDIANA) 
Was This Review Helpful? Yes No
Finally a return to form for Dino!
While certainly not breaking any new ground, this disk definitely shows the true riff master behind Fear Factory. A brooding, razor tight recording showcases very enjoyable disk with a vocalist that puts Burton Bell 6 feet under as far as I'm concerned. Awesome album!
Submitted by greg_musgrave (Calgary, Alberta, Canada)
Was This Review Helpful? Yes No  Less than I expected!
liked it, but couldn't believe that it has clean vokals on it!!! Dino does a fantastic work, but some songs sound a lot of Fear Factory... The Drummer is insane, but I like him better in Vital Remains
Submitted by Maggot (Douglas, Az)
Was This Review Helpful? Yes No 0 of 3 found this helpful.
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Purchase Bleed The Fifth CD To buy, Click on price to add to cart | Death Scream Bloody Gore CD (1987)
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This operatically menacing Finland outfit's third record is a showcase for frontman Alexi Laiho's prog-meets-death-metal songwriting imagination and the near-euphoric, omnipresent keyboards of Janne Warman. Still navigating their chosen terrain, Bodom spreads its wings wide on tracks like "Bodom At ...
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That their albums usually feel like they end too quickly is but one of the superlatives explaining why so few extreme metal bands have been as consistent as Poland's Behemoth over the years (Greece's Rotting Christ and Sweden's Opeth also come to mind). Having laid the groundwork for this consistency with a slew of promising works in the early '90s, Nergal's bloodthirsty trio arguably hit their stride with 2000's Thelema.6, charged inexorably forward with 2002's Zos Kia Cultus, and, in 2004's follow-up, Demigod, they may well have completed what may one day be looked back upon as their defining, unholy trinity of masterful death/black metal. Lending this bold statement weight is the band's readily identifiable style: a brutal assault built on machine-gun playing so technical and precise, yet so instinctively primal, that one's basest and most sophisticated metallic desires are almost always equally sated. What's more, Behemoth's nerve-shattering death metal onslaught -- relentless though it may be -- on highlights such as "Sculpting the Throne ov Seth," "Conquer All," and "XUL" still allows for much more breathing room than ...
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Whether or not Dead or Alive was the first synth-goth band in history is a bit open to debate, but they were unquestionably in on the ground floor somewhere. Burns and his crew created a weird sort of landmark with Sophisticated Boom Boom, though ultimately it's a bit more memorable as being the dry run for later successes as opposed to being fully notable on its own. By this time, the murky gloom of earlier singles was starting to give way to a more freely mainstream approach, though the combination of Burns' outrageous appearances and his utterly over-dramatic singing style helped ensure they never went down totally easy on the charts. Pretty much everything on the album came from somewhere else: the squiggly early-'80s keyboards/beat neo-disco production, the occasional blasts of clattering drums, the gang shout choruses, and the overall air of sex, sex, and more sex. If anything was the role model, clearly Duran Duran's massive success had gone to Burns' head, from the dry slap-bass to the synth melodies. The end result was nicely assembled, though, and the help of the Kick Horns on brass, Zeus B. Held's production, and Tim Palmer's engineering resulted in a nice sounding package. Perhaps unsurprisingly, the best effort comes via the cover of "That's the Way (I Like It)," even though the end result is unforgivably stiff in comparison to the original. Burns himself, meanwhile, is the understandable centerpiece to everything, rolling his "r"'s, hyping himself just by breathing, and finding ever more ways to project and project again. As for what it's all about, the song titles make that much clear: "What I Want," "Do It," "You Make We Wanna." It's terribly amusing in context to hear Wayne Hussey's guitar playing crop up, as on "Misty Circles" -- the eventual feel of his work in both the Sisters ...
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