| | Hartmann: Concerto Funebre; Sonatas & Suites For Solo Violin CD Britten Sinfonia / Hartmann / Ibragimova CDS
 (1 Customer Review)
Hartmann: Concerto Funebre; Sonatas & Suites For Solo Violin Music | List Price | $19.97 (You save $5.68) | | Label | Hyperion | | Orig Year | 9/11/2007 | | All Time Sales Rank |  17564  | | CD Universe Part number | 7490062 | | Catalog number | 67547 | | Discs | 1 | | Release Date | Sep 11, 2007 | | Recording Time | 1 21 |
Hartmann: Concerto Funebre; Sonatas & Suites For Solo Violin Classical Review Hartmann: Concerto Funebre; Sonatas & Suites For Solo Violin Songs 1. Concerto Funebre for violin & string orchestra: Introduction (Largo) (21:09)  Windows Media  Real Audio | | Composer | Karl Amadeus Hartmann (1905 - 1963) | | Performer | Jacqueline Shave (Violin)
Alina Ibragimova (Violin) | | Genre | Concerto | | Date Written | 1939 | | Venue | Henry Wood Hall, London, England | | Recording Date | 11/27/2006 | | 2. Concerto Funebre for violin & string orchestra: Adagio (19:16) Windows Media Real Audio | | Common Name | Suite For Solo Violin | | Composer | Karl Amadeus Hartmann (1905 - 1963) | | Performer | Alina Ibragimova (Violin) | | Genre | Suite | | Date Written | 1927 | | Venue | Henry Wood Hall, London, England | | Notes | Henry Wood Hall, London, England (01/13/2007-01/14/2007) | | 3. Concerto Funebre for violin & string orchestra: Allegro di molto (9:35) Windows Media Real Audio | | Common Name | Suite For Solo Violin | | Composer | Karl Amadeus Hartmann (1905 - 1963) | | Performer | Alina Ibragimova (Violin) | | Genre | Suite | | Date Written | 1927 | | Venue | Henry Wood Hall, London, England | | Notes | Henry Wood Hall, London, England (01/13/2007-01/14/2007) | | 4. Concerto Funebre for violin & string orchestra: Choral (Langsamer Marsch) (14:23) Windows Media Real Audio | | Common Name | Sonata For Solo Violin | | Composer | Karl Amadeus Hartmann (1905 - 1963) | | Performer | Alina Ibragimova (Violin) | | Genre | Sonata | | Date Written | 1927 | | Venue | Henry Wood Hall, London, England | | Notes | Henry Wood Hall, London, England (01/13/2007-01/14/2007) | | 5. Suite for solo violin No. 1: Canon: Lebhaft (13:32) Windows Media Real Audio | | Common Name | Sonata For Solo Violin | | Composer | Karl Amadeus Hartmann (1905 - 1963) | | Performer | Alina Ibragimova (Violin) | | Genre | Sonata | | Date Written | 1927 | | Country | Germany | | Venue | Henry Wood Hall, London, England | | Notes | Henry Wood Hall, London, England (01/13/2007-01/14/2007) |
Hartmann: Concerto Funebre; Sonatas & Suites For Solo Violin Music Composers on Hartmann: Concerto Funebre; Sonatas & Suites For Solo Violin CD : Karl Amadeus Hartmann Genres on Hartmann: Concerto Funebre; Sonatas & Suites For Solo Violin CD : Concerto, Sonata, Suite Performers on Hartmann: Concerto Funebre; Sonatas & Suites For Solo Violin CD : Alina Ibragimova, Jacqueline Shave Purchase Hartmann: Concerto Funebre; Sonatas & Suites For Solo Violin To buy, Click on price to add to cart | Rundfunk-Sinfonieorchester Ber Ernst Toch: Symphonies Nos. 1 & 4 CD (2004)
Hartmann: Concerto Funebre; Sonatas & Suites For Solo Violin
 $14.69  | | Charles-Valentin Alkan: Organ Works, Vol. 1 CD (2006) (Import)
Hartmann: Concerto Funebre; Sonatas & Suites For Solo Violin
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Hartmann: Concerto Funebre; Sonatas & Suites For Solo Violin
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Hartmann: Concerto Funebre; Sonatas & Suites For Solo Violin
$26.49
This is a Super Audio CD playable only on Super Audio CD players.
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Hartmann: Concerto Funebre; Sonatas & Suites For Solo Violin
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Hartmann: Concerto Funebre; Sonatas & Suites For Solo Violin
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Track Listing of songs: Violin Concerto, D Major, Op. 61: I. Allegro Ma Non Troppo; Violin Concerto, D Major, Op. 61: Ii. Larghetto; Violin Concerto, D Major, Op. 61: Iii. Rondo; Romance No. 1, G Major, Op. 40: Romance No. 1 In G Major, Op. 40; Romance No. 2, F Major, Op. 50: Romance No. 2 In F Major, Op. 50;
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Hartmann: Concerto Funebre; Sonatas & Suites For Solo Violin
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Hartmann: Concerto Funebre; Sonatas & Suites For Solo Violin
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"Lovely...Excellent Prowess... The duo both amuses and delights, achieving a style which goes far beyond simple lighthearted diversion.... Listeners will appreciate the humor of arrangements ...An original artistic work full of interesting ideas which could be defined as a new artistic genre by using a musical demonstration of humor (something very difficult to accomplish), and by creating a uniquely enjoyable atmosphere."- Guitare Classique Magazine (France)**********Suites for Two Guitars is a fascinating album by an American duo, which arranges pop songs in various classical styles. The duo reveals different facets of the original works by using various classical forms and techniques. The arrangement of "Roxanne" artfully transforms the original into a tango (with a nod to Astor Piazzolla), while Led Zeppelin's "Achilles Last Stand" is delightful in its dramatic Nuovo Flamenco setting.The success of this album can be attributed to the duo's excellent musical technique and balance, and the way they skillfully blend characteristics of the original song with a new style. - Gendai Guitar Magazine (Japan)**********"What a great concept for a record. Kudos to you for such an imaginative & original approach to a guitar duo. The playing here is superb. I'm also quite impressed by the splendid arrangement of the classic Police song 'Tea in the Sahara'. This version has its own unique character and identity and could appeal even to listeners who aren't familiar with the original song. Keep up the good work & all the best to you."-TAXI New Artist Review**********In their previous lives, Sir Paul was Scarlatti, Lennon J.S. Bach, Sting Schubert and Hendrix Bartok. So we postulate. Contrary to popular notion, the cleverness of today's rock & roll composers is not the result of some substance-induced state but rather the reincarnation of the greatest composers in music history. It was their inner Stravinksy pounding away. The Liverpool lads' strict observance of 17th century counterpoint? Uncanny. Their effective use of voice leading and text painting? Master-like. Sting's gift for naturally flowing melodies are straight out of a Schubert lieder. And what to make of Hendrix's liberal use of ancient scales like pentatonic and mixolydian? You can't convince us that was independently arrived at by a man from the 20th century. After intense musicological research, we conclude that they are one and the same. Still don't believe us? We dare you to listen and prove us wrong!--from liner notes
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Hartmann: Concerto Funebre; Sonatas & Suites For Solo Violin
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Composer: Ludovico Einaudi.
Personnel: Michael Sebenich (recorder).
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Hartmann: Concerto Funebre; Sonatas & Suites For Solo Violin
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Los Cuates de Sinaloa: 'EL Nino' Berrelleza (bass guitar); 'El Cuate' Berrelleza (unknown instrument); 'El Pelon' Carlos Azar (background vocals).
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Hartmann: Concerto Funebre; Sonatas & Suites For Solo Violin
$28.69
Track Listing of songs: Cantata No. 24, "Ein ungefarbt Gemute," BWV 24 (BC A102); Cantata No. 185, "Barmherziges Herze der ewigen Liebe," BWV 185 (BC A101); Cantata No. 177, "Ich ruf zu dir, Herr Jesu Christ," BWV 177 (BC A103); Cantata No. 71, "Gott ist mein Konig," BWV 71 (BC B1); Cantata No. 131, "Aus der Tiefen rufe ich, Herr, zu dir," BWV 131 (BC B25); Cantata No. 93, "Wer nur den lieben Gott lasst walten," BWV 93 (BC A104); Cantata No. 88, "Siehe, ich will viel Fischer aussenden," BWV 88 (BC A105);
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Hartmann: Concerto Funebre; Sonatas & Suites For Solo Violin
$28.15
Recording information: Lawrence University Conservatory of Music, Appleton, WI (06/29/2009-07/08/2009).
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