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Meneguar: Jeremy Earl, Justin Wertz, Christian DeRoeck, Jarvis Taveniere.Alternative Press (p.176) - 3 stars out of 5 -- "[I]t's sonically diverse....One of those albums that will increase in awesomeness when performed live." Strangers In Our House Music Meneguar Strangers In Our House Songs Strangers In Our House Music Strangers In Our House Review
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Purchase Strangers In Our House CD To buy, Click on price to add to cart | Devo Duty Now For The Future CD (1979)
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Although not quite as stellar as its predecessor, 1979's 'DUTY NOW FOR THE FUTURE' is a solid second release by those loveable spuds from Ohio. With hindsight, DUTY helped bridge the gap between the quirky weirdness of their debut and their more accessible third album, FREEDOM OF CHOICE, which would prove to be their breakthrough commercial success (achieving gold status and spawning the classic new wave hit "Whip It"). Replacing Brian Eno ...
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Strangers In Our House
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As half of the NYC underground-legend production team DFA, James Murphy was responsible for countless crafty retoolings of late-1970s/early-'80s sounds of the electroclash/post-punk-revival variety. Wearing his "artist" hat under the LCD Soundsystem moniker, Murphy concocted his own minimal-synth club hits, full of both hipster irony ("Losing My Edge") and catchy electro-hooks ("Yeah").
Finally unleashed for the length of a full album, Murphy's muse still offers up plenty of John-Foxx-will-rise-again retro synth sounds, but he expands his palette ...
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The thought of a concept album is almost lost on the download generation (and they are certainly welcome to download every single here), but this album offers an eclectic selection of songs with me singing of my love for a man. This concept in and of itself isn’t new, but it is my first outing, so to speak, with an album to share with other gay men around the world. Some songs were selected to make you laugh. Some songs might give you a smile. There’s a bit of Broadway and a few other songs you might remember, as well as, a couple you maybe never heard before. But most of all, I want people to enjoy this album and the music I have had the pleasure of creating with some of my talented friends.I started my musical journey on the yellow brick road, as did many of us, yes early beginnings as a Munchkin in Munchkinland at the early age of six going on seven. So just as much to say, that I have been a friend of Dorothy for much of my life. And so my performing in public began and continued most predominantly through community theater.Anyway, until I moved to LA at 19 to finish college at LMU, that was pretty much it for singing and performing aside from high school chorus and the occasional opportunity to dress up in a chicken suit. (But that's another story.) LA was a big eye-opener, as it would be for anyone let alone a young gay guy from south Arkansas. I began to write songs and performing at lots of fun places on the Sunset Strip and beyond. Carlos & Charlie's, often hosted by Joan Rivers, the Rose Tatoo, the Palomino Club and other "interesting" places. All the while making a living working in television production as a production assistant and slowly moving up that food chain. Life was good, met a few cute guys along the way and a few hot messes as well. It came a time in my early 20's, I was taking voice lessons with Bob Garrett and we ended up writing a couple of songs together. On my web site, I have included a demo of one of those songs from over 20 years ago for a sneak peek at one that will be resurrected for my next album. I can't sing that high anymore, but it's a look back to a day long past.And then a fire in my apartment building left me homeless and sent me back to stay with my family in Arkansas for the summer to regroup. In some ways I felt defeated, but got chosen to direct the summer musical at the community theater, the South Arkansas Arts Center, and while in my home town, met the love of my life, Ty. He had been there most of his and my life, but we had never met.In the past 20 years I managed to find love, work somewhat in the shadows of "the industry" (as in, behind the scenes) in Los Angeles, New York, Sweden, Dominican Republic and all point in between, boomeranged through Nashville and came to live in Hilo, Hawaii. It was here that the muse again came to me. Hawaii is so full of music and incredible voices that I found my self facing this love I have to sing out loud and once again I fell in love with the audience, and they seemed to like me too. This album came to pass during a difficult time in my life. My dad was dying that year. As I took trips back and forth from Hawaii to Arkansas to help my mother, brothers and sister care for him, I would stop off in Burbank to break up the long distance travel with a day or two stay at the home of my long-time friend Andy Belling. I then told him I wanted to finally do an album. Andy he agreed to produce it with me and do the arrangements. I have been directing and performing theater and variety shows here in Hilo for the community since Ty and I arrived on the beautiful shores of Hawaii, and now it was time to reach out to a larger audience.So there we were. As we began to discuss the album, this concept of an album for our contemporaries emerged. Select songs of love and the like, traditionally sung by women to men, but now sung by a man to a man. As a gay man, I have always grown up listening to popular music, as we all.
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