| | Futon Pain Killer CD - Import Futon Discography of CDs
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Our Price: $18.39  CDFor Sale Usually ships in 1-2 days
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2007 album from the band fronted by sexually ambiguous fallen Buddhist temple singer Gene, with Barnsley-born Japanese cult icon Bee on guitar, Thai soap star and radio DJ Oh on bass and former Suede drummer Simon Gilbert. Produced by Tim Simenon (Bomb The Bass), this pressing features five bonus tracks. Futon assault you with it's trashy Electro roots morphed into Rock 'N' Roll Punk magnificence. This genetically engineered British /Japanese/Thai hybrid has moved beyond Thailand and headlined some of the biggest festivals in Asia. Universal. 2007. Futon Pain Killer Songs | 1. | 1.Strap it On |
| 2. | 2. Sheila Tequila |
| 3. | 3.Used |
| 4. | 4.Love So Strong |
| 5. | 5. End of Friend |
| 6. | 6. U Mean Nothing 2 Me |
| 7. | 7.What Did I Say? |
| 8. | 8.Morning After Pill |
| 9. | 9. Motorbike |
| 10. | 10. Hole |
| 11. | 11.Serotonin Smile (Bonus Track) |
| 12. | 12. Strap It On ( Punx Soundcheck remix) (Bonus Track) |
| 13. | 13. Strap It On ( The Fabulous IQ of David Gunn remix) (Bonus Track) |
| 14. | 14. Motorbike ( Chicks on Speed remix) (Bonus Track) |
| 15. | 15. Strap It On ( Goldfish remix) (Bonus Track) |
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“…..while The Reekers never achieved more than cult status in the mid ‘60’s Washington, D.C. rock scene, their version of 'WHAT A GIRL CAN’T DO' hit the #1 spot on the D.C. charts in 1967 and the group’s members went on to such well known Washington bands as The Hangmen, Nils Lofgren & Grin, Claude Jones, The Newports, and The Rosslyn Mountain Boys. Propelled by dynamic lead singer Joe Triplet’s searing vocals, Bob Berberich’s rock solid time, Sam Goodell’s impeccable bass, Tom Guernsey’s primitive guitar licks and Mike Henley’s frantic hammering piano style, the group undoubtedly left it’s mark on the D.C. rock scene.....unfortunately it was a question mark.” Page 427, I Never Promised You A Rock Band by I.M. PeenedCopyright 1998 Detroit Free Press (Quoted by permission)“…..One gray and dreary December afternoon in 1964 Joe Triplet, Tom Guernsey, Mike Henley, Richard Solo, and Jim Daniels sat in a Maryland recording studio and listened with smug satisfaction to the playback of the surf instrumental Tom had just written. It was their first time in a recording studio, and their uncertainty had been transparently and awkwardly manifest at the beginning of the session. But now, five hours and one finished instrumental track later, the boys felt like old studio pros. ‘Man, that sound’s great’ said veteran engineer Ed Green, ‘What’s it called?’ What indeed, Tom thought to ...
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