| | Futon Pain Killer CD - Import Futon Discography of CDs
2007 album from the band fronted by sexually ambiguous fallen Buddhist temple singer Gene, with Barnsley-born Japanese cult icon Bee on guitar, Thai soap star and radio DJ Oh on bass and former Suede drummer Simon Gilbert. Produced by Tim Simenon ... Full Description(Bomb The Bass), this pressing features five bonus tracks. Futon assault you with it's trashy Electro roots morphed into Rock 'N' Roll Punk magnificence. This genetically engineered British /Japanese/Thai hybrid has moved beyond Thailand and headlined some of the biggest festivals in Asia. Universal. 2007. Hide Description Futon Pain Killer Songs | 1. | 1.Strap it On |
| 2. | 2. Sheila Tequila |
| 3. | 3.Used |
| 4. | 4.Love So Strong |
| 5. | 5. End of Friend |
| 6. | 6. U Mean Nothing 2 Me |
| 7. | 7.What Did I Say? |
| 8. | 8.Morning After Pill |
| 9. | 9. Motorbike |
| 10. | 10. Hole |
| 11. | 11.Serotonin Smile (Bonus Track) |
| 12. | 12. Strap It On ( Punx Soundcheck remix) (Bonus Track) |
| 13. | 13. Strap It On ( The Fabulous IQ of David Gunn remix) (Bonus Track) |
| 14. | 14. Motorbike ( Chicks on Speed remix) (Bonus Track) |
| 15. | 15. Strap It On ( Goldfish remix) (Bonus Track) |
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African Bohemian, the names says it all...This is the autobiographical path of a young African traveller who learns all around the world and experiments all kinds of music genres...--- Kaysha is the future of Afro-Caribbean music. He's the perfect blend between kizomba, rhumba, zouglou, zouk, calypso, r&b and hip-hop. Since his first show in 1992, Kaysha have been constantly defining a sound of his own. And at the same time changing so much it made you get confused. But one thing never change, it's that Kaysha sound that's so appealing. One of the most eclectic rapper and producer to work on places like the West indies, South America and Africa. He was born in Democratic Republic of Congo but immigrated to France with his parents at the age of seven. Kaysha is very well known for his first hit single which uses a sample from West Indian band Kassav's Oulé in a song called "Bounce Baby", which introduced him to fans all over the world.The next year, he changed his whole style to record a more urban album called "Worldwidechico" with a duo with Wu Tang Clan's Killah Priest. His latest hit to date ...
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Dave MilneLiving Life in “Present Tense”Up and Coming Saxophonist/Composer Brings Together Hip Hop, Funk and R&B into A New, Salient Jazz FormatEight years ago, Dave Milne wasn’t even sure he’d be playing music at all, let alone putting the finishing touches on his debut as a jazz saxophonist and composer. Through a life changing journey that has taken many twists, turns and unexpected detours the 30 year-old Portland, OR- based artist has arrived- with a Steely Dan, Soulive and OutKast meets Stan Getz and David Sanborn style that is leaving jazz and industry heads bobbing in his wake.Simply put, Dave Milne is bringing the bounce back to jazz. Mixing Hip Hop heavy beats and production with exciting chord progressions, memorable melodies and brilliant, soulful saxophone playing, Milne has created a sound that truly separates itself from the crowd and yet remains accessible to jazz, R&B and Hip Hop lovers across the spectrum. His debut album, called “Present Tense,” contains 13 fresh, funktified tracks. At home on traditional & contemporary jazz radio, the genre bending tunes are salient enough for film and TV scores as well as jawdropping live shows. All the songs, except the Mongo Santamaria classic “Afro Blue” (which was newly arranged by Milne in 5/4 time), were written and arranged by the Seattle native. “Present Tense” was recorded in Portland, OR at Kung Fu Bakery and engineered and co-produced by Bob Stark (Tom Grant, Dan Balmer, McKinley). For mastering, Dave decided to use one of the industry’s most respected engineers: Brian “Big Bass” Gardner (OutKast, Eminem, Gwen Stefani, Janet Jackson, Snoop Dog, 50 Cent) who works out of Bernie Grundman Mastering in Hollywood, CA. From the undeniable melodic intensity of “Soul Bop” to the advanced harmonic sensibility of “You Pea Ess” and the delicate balladry of “Solace,” ...
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“…..while The Reekers never achieved more than cult status in the mid ‘60’s Washington, D.C. rock scene, their version of 'WHAT A GIRL CAN’T DO' hit the #1 spot on the D.C. charts in 1967 and the group’s members went on to such well known Washington bands as The Hangmen, Nils Lofgren & Grin, Claude Jones, The Newports, and The Rosslyn Mountain Boys. Propelled by dynamic lead singer Joe Triplet’s searing vocals, Bob Berberich’s rock solid time, Sam Goodell’s impeccable bass, Tom Guernsey’s primitive guitar licks and Mike Henley’s frantic hammering piano style, the group undoubtedly left it’s mark on the D.C. rock scene.....unfortunately it was a question mark.” Page 427, I Never Promised You A Rock Band by I.M. PeenedCopyright 1998 Detroit Free Press (Quoted by permission)“…..One gray and dreary December afternoon in 1964 Joe Triplet, Tom Guernsey, Mike Henley, Richard Solo, and Jim Daniels sat in a Maryland recording studio and listened with smug satisfaction to the playback of the surf instrumental Tom had just written. It was their first time in a recording studio, and their uncertainty had been transparently and awkwardly manifest at the beginning of the session. But now, five hours and one finished instrumental track later, the boys felt like old studio pros. ‘Man, that sound’s great’ said veteran engineer Ed Green, ‘What’s it called?’ What indeed, Tom thought to himself, and silently began to mull over the list of possible titles he had prepared before the session, when he was abruptly, and rudely, interrupted by a loud, grating voice. ‘Hey!!' Tom turned towards the sound of the voice. As usual, it was perennial hanger-on, self-appointed arbiter of cool, and general all around pain in the ass ‘butt-in-ski’ Jack Cheeseburo. ‘Call it DON’T CALL ME FLYFACE!!' Jack continued as he moved closer and poked his index finger on Tom’s chest in time with the cadence of his words. Drop dead you zero, Tom thought to himself but only said, 'Shit, I dunno…what do you guys think?’ ‘Son, its KEY said Joe. 'Suffer!' A smirking Mike Henley chimed ...
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