| | Songs Mama Used To Sing IV CD
Recording information: Terminal Recording Studios, Jackson, MS.
Editors: Doug & Telisha Williams; Randy Everett; Stan Jones .
Arrangers: Castro Coleman; Doug & Telisha Williams; Stan Jones .
Personnel: Castro Coleman (guitar); Carlous Robinson (keyboards); Stan Jones (drums, tambourine, background vocals); Doug & Telisha Williams, Pastor Kendall Washington (background vocals).
Audio Mixers: Doug & Telisha Williams; Randy Everett; Stan Jones .
Songs Mama Used To Sing IV Music Songs Mama Used To Sing IV Songs | 1. | Let Me Lean on You - Blackberry Family/Neal Roberson/Texas Boyz |
| 2. | Blessed Assurance |
| 3. | How I Got Over - Neal Roberson |
| 4. | Walk in the Light |
| 5. | Jordan River |
| 6. | Move on Up a Little Higher - Rhonda Chambers |
| 7. | We Are Soldiers - Texas Boys Choir |
| 8. | Nothing But the Blood - Benjamin Cone III |
| 9. | Trouble in My Way - Castro Coleman |
| 10. | Touch the Hem of His Garment |
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Songs Mama Used To Sing IV Review
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A surprisingly powerful instrument makes for a CD that you'll savor again and again.Following the sold-out self-titled debut CD from 2000, this new disc (released in celebration of Helen's NINETIETH birthday), moves easily from classics sung with conviction (\"My Melancholy Baby\", \"The Twelfth of Never\"), to tender moments (\"Autumn Leaves\"), to playful memories (\"Smiles\", \"It All Depends on You\", \"Take Me Out to the Ballgame\"), to powerful statements of love (\"In the Still of the Night\", \"Russian Lullaby\"). Helen Marcovicci has stopped the show with standing ovations at every major venue where she has appeared including the ultimate stage, Carnegie Hall. Her sultry register ignites in a fiery passion whenever she performs. This latest CD, recently recorded at the age of eighty-nine, displays the singer's warm honest emotion on these beloved songs. THE NEW YORK TIMESOctober 22, 2004CABARET REVIEW; Giving Mama A Spotlight And Singing With HerBy STEPHEN HOLDENWe all know about that larger-than-life creature known as the stage mother. In popular mythology, she is the ogre responsible for warping her children\'s lives by pushing them too hard into a spotlight she secretly craves for herself. How real is this bogeywoman? Candidates were prolific on Tuesday evening at Town Hall where the 15th annual Cabaret Convention celebrated family night. As six musical clans appeared in various multigenerational combinations, you felt that a genetic predisposition to perform mattered more than any pushy mother in determining a child\'s future in show business. The Callaway Sisters (Ann Hampton and Liz) appeared with their mother Shirley (a voice teacher and former member of the Chicago Symphony Chorus) to sing three-part harmonies in a cheery set that might have belonged on the old \'\'Carol Burnett Show. \'\' In Shirley Callaway\'s voice there were distinct traces of the honeyed timbre inherited by Ann. ANDREA MARCOVICCI, THE EMBODIMENT OF CABARET GLAMOUR, INTRODUCED HER MOTHER, HELEN, AN ...
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