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Bonynge / Orch Del Teatro Comunale Di / Pavarotti - Pavarotti In Concert CD Cover Art
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Pavarotti In Concert CD

 Bonynge / Orch Del Teatro Comunale Di / Pavarotti CDS

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Category Classical, Live Performances, Romantic Period, 20th Century Period, Orchestral/Symphonic, Modern, Baroque Period, Opera, Song, Post-Romantic, Classical Vocal Crossover, Song Cycle, Art Song, Romance, Neapolitan Song, Arietta
Pavarotti In Concert Music


Detailed Pavarotti In Concert Music Information



List Price $14.99 (You save $2.94)
Label Decca
Orig Year 9/6/2007
All Time Sales Rank   26456  
CD Universe Part number 7505158
Catalog number 4758382
Discs 1
Release Date Sep 06, 2007
Recording Time 48 minutes
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Pavarotti In Concert Songs


Pavarotti In Concert Songs Detailed Work Information



1. Griselda, opera: Per la gloria d'adorarvi  (4:33)   Windows MediaWindows Media   Real AudioReal Audio
   Common Name  Griselda Opera
   Composer  Giovanni Bononcini (1670 - 1747)
   Conductor  Richard Bonynge
   Performer  Luciano Pavarotti
   Genre  Baroque Period / Opera
   Date Written  1722
   Period  Baroque
   Country  Italy
   Venue  Teatro Comunale di Bologna
   Recording Date  07/1973
2. Atalanta, opera, HWV 35: Care selve  (3:22)   Windows MediaWindows Media   Real AudioReal Audio
   Common Name  Atalanta Opera
   Catalog No.  HWV 35
   Composer  George Frederick Handel (1685 - 1759)
   Conductor  Richard Bonynge
   Performer  Luciano Pavarotti
   Genre  Baroque Period / Opera
   Date Written  1736
   Period  Baroque
   Venue  Teatro Comunale di Bologna
   Recording Date  07/1973
3. L' honestà negli amori, opera: Già il sole dal Gange  (2:06)   Windows MediaWindows Media   Real AudioReal Audio
   Common Name  L' Honesta Negli Amori Opera
   Composer  Alessandro Scarlatti (1660 - 1725)
   Conductor  Richard Bonynge
   Performer  Alberto Mantovani (Trumpet)
Luciano Pavarotti
   Genre  Baroque Period / Opera
   Period  Baroque
   Country  Italy
   Venue  Teatro Comunale di Bologna
   Recording Date  07/1973
4. Ma rendi pur contento, song for voice & piano (6 ariette da camera)  (2:28)   Windows MediaWindows Media   Real AudioReal Audio
   Composer  Vincenzo Bellini (1801 - 1835)
   Conductor  Richard Bonynge
   Performer  Luciano Pavarotti
   Genre  Romantic Period / Song
   Date Written  1829
   Period  Romantic
   Country  Italy
   Venue  Teatro Comunale di Bologna
   Recording Date  07/1973
5. Dolente immagine di figlia mia, for voice & piano  (3:28)   Windows MediaWindows Media   Real AudioReal Audio
   Composer  Vincenzo Bellini (1801 - 1835)
   Conductor  Richard Bonynge
   Performer  Luciano Pavarotti
   Genre  Art Song / Romantic Period
   Date Written  1821
   Period  Romantic
   Country  Italy
   Venue  Teatro Comunale di Bologna
   Recording Date  07/1973
6. Malinconia, ninfa gentile for voice & piano (6 ariette da camera)  (1:47)   Windows MediaWindows Media   Real AudioReal Audio
   Composer  Vincenzo Bellini (1801 - 1835)
   Conductor  Richard Bonynge
   Performer  Luciano Pavarotti
   Genre  Art Song / Romantic Period
   Date Written  1829
   Period  Romantic
   Country  Italy
   Venue  Teatro Comunale di Bologna
   Recording Date  07/1973
7. Bella Nice, che d'amore, for voice & piano (6 ariette da camera)  (2:46)   Windows MediaWindows Media   Real AudioReal Audio
   Composer  Vincenzo Bellini (1801 - 1835)
   Conductor  Richard Bonynge
   Performer  Luciano Pavarotti
   Genre  Art Song / Romantic Period
   Date Written  1829
   Period  Romantic
   Country  Italy
   Venue  Teatro Comunale di Bologna
   Recording Date  07/1973
8. Vanne, o rosa fortunata, for voice & piano (6 ariette da camera)  (2:29)   Windows MediaWindows Media   Real AudioReal Audio
   Composer  Vincenzo Bellini (1801 - 1835)
   Conductor  Richard Bonynge
   Performer  Luciano Pavarotti
   Genre  Art Song / Romantic Period
   Date Written  1829
   Period  Romantic
   Country  Italy
   Venue  Teatro Comunale di Bologna
   Recording Date  07/1973
9. La Serenata for voice & piano/orchestra  (3:20)   Windows MediaWindows Media   Real AudioReal Audio
   Composer  Paolo Tosti (1846 - 1916)
   Conductor  Richard Bonynge
   Performer  Luciano Pavarotti
   Genre  Neapolitan Song / Romantic Period / Song
   Date Written  circa 1870-1915
   Period  Romantic
   Country  Italy
   Venue  Teatro Comunale di Bologna
   Recording Date  07/1973
10. Luna d'estate, for voice & piano/orchestra  (2:14)   Windows MediaWindows Media   Real AudioReal Audio
   Composer  Paolo Tosti (1846 - 1916)
   Conductor  Richard Bonynge
   Performer  Luciano Pavarotti
   Genre  Romantic Period / Song
   Date Written  1880
   Period  Romantic
   Country  Italy
   Venue  Teatro Comunale di Bologna
   Recording Date  07/1973
11. Malia for voice & piano/orchestra  (2:51)   Windows MediaWindows Media   Real AudioReal Audio
   Composer  Paolo Tosti (1846 - 1916)
   Conductor  Richard Bonynge
   Performer  Luciano Pavarotti
   Genre  Romantic Period / Song
   Date Written  circa 1870-1915
   Period  Romantic
   Country  Italy
   Venue  Teatro Comunale di Bologna
   Recording Date  07/1973
12. Non t'amo più, for voice & piano/orchestra  (5:28)   Windows MediaWindows Media   Real AudioReal Audio
   Composer  Paolo Tosti (1846 - 1916)
   Conductor  Richard Bonynge
   Performer  Luciano Pavarotti
   Genre  Neapolitan Song / Romantic Period / Song
   Date Written  circa 1870-1915
   Period  Romantic
   Country  Italy
   Venue  Teatro Comunale di Bologna
   Recording Date  07/1973
13. Nevicata, song for mezzo-soprano & piano, P. 65  (2:27)   Windows MediaWindows Media   Real AudioReal Audio
   Catalog No.  P 65
   Composer  Ottorino Respighi (1879 - 1936)
   Conductor  Richard Bonynge
   Performer  Luciano Pavarotti
   Date Written  circa 1906
   Period  Post-Romantic
   Venue  Teatro Comunale di Bologna
   Recording Date  07/1973
14. Piòggia, song for voice & piano (or orchestra)  (2:25)   Windows MediaWindows Media   Real AudioReal Audio
   Composer  Ottorino Respighi (1879 - 1936)
   Conductor  Richard Bonynge
   Performer  Luciano Pavarotti
   Date Written  1909
   Period  Modern
   Venue  Teatro Comunale di Bologna
   Recording Date  07/1973
15. Nebbie, song for mezzo-soprano & piano (or orchestra), P. 64  (3:06)   Windows MediaWindows Media   Real AudioReal Audio
   Catalog No.  P 64
   Composer  Ottorino Respighi (1879 - 1936)
   Conductor  Richard Bonynge
   Performer  Luciano Pavarotti
   Genre  Art Song / Song
   Date Written  circa 1906
   Period  Post-Romantic
   Country  Italy
   Venue  Teatro Comunale di Bologna
   Recording Date  07/1973
16. La danza. Tarantella Napolitana ("Già la luna è in mezzo al mare"), for voice & piano (Soirées music  (3:09)   Windows MediaWindows Media   Real AudioReal Audio
   Composer  Gioachino Rossini (1792 - 1868)
   Conductor  Richard Bonynge
   Performer  Luciano Pavarotti
   Genre  Art Song / Romantic Period
   Date Written  1830-1835
   Period  Romantic
   Country  Italy
   Venue  Teatro Comunale di Bologna
   Recording Date  07/1973


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Pavarotti In Concert Music


Elements featured on Pavarotti In Concert CD



Composers on Pavarotti In Concert CD : Alessandro Scarlatti, Vincenzo Bellini, Giovanni Bononcini, George Frideric Handel, Ottorino Respighi, Gioachino Rossini, Francesco Paolo Tosti

Conductors on Pavarotti In Concert CD : Richard Bonynge

Genres on Pavarotti In Concert CD : Art Song, Baroque Period, Neapolitan Song, Opera, Romantic Period, Song

Performers on Pavarotti In Concert CD : Alberto Mantovani, Luciano Pavarotti

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Composer's Notes The Miracle - Concerto for Piano & OrchestraIt's nothing new to write a piece of music as an expression of Christian faith and the beheld attributes of God. Johann Sebastian Bach was convinced that "the aim and final reason, as of all music!should be none else but the Glory of God and recreation of the mind. Where this is not observed, there will be no real music but only a devilish hubbub."*Nobody composes music, paints, or writes poetry to convince the observer of something he or she knows is not true - to convey a lie. The goal of the artist is to present a piece of work which will possess an innate authority and strength which only truth can provide. For me, the Bible has that ring of truth. Absolutely loaded with images and thoughts which directly apply to my life, it is a natural resource to help me express myself musically. Heinrich Shütz, a great composer of the seventeenth century, depended upon it almost entirely for his inspiration: "!the textual foundation for almost all his surviving music is the Bible. He seems to have had little interest in writing instrumental music. Instead, he seems to have been driven by the challenge of bringing the Bible to life."*Being an instrumentalist (you don't want to hear me sing), I am of the persuasion that it is possible for any, even nonverbal, artistic discipline to "bring it to life". If the Bible is true, then God intends for it to be known. If God created our imagination - our individual, creative gifts - then it follows that he would approve of, and even assist in, our using whatever they are to communicate what we learn from Scripture, since the whole reason for the Bible's existence is to reveal and glorify God. Martin Luther said, "I would like to see all arts in the service of Him who made them"*.

A concerto is an unusual format for "sacred" music. But antiphony isn't. Our relationship to God is antiphonal (when we're paying attention); so I like the idea of using the concerto form to represent fellowship between God and the human beings he created.

The title, "The Miracle", refers to the amazing offer from God - the beginning and creator of everything - of the gift of complete, eternal fulfillment through faith in Jesus Christ. It occurred to me to deal musically with four aspects of this miracle, so here is my thinking about each movement, along with its biblical reference:I (Allegro): Promise - Those who decide to believe God's offer will always receive hope and joy, along with the assurance that he will make good on it.

Therefore, the promise comes by faith, so that it may be by grace and may be guaranteed! - Romans 4:16II (Grave): Struggle - Believers will still have to struggle in the world - although not without hope.

My comfort in my suffering is this: Your promise preserves my life. - Psalms 119:50III (Adagio pastoral): Faithfulness - God's faithfulness transcends the struggle.

Let us hold unswervingly to the hope we profess, for he who promised is faithful. - Hebrews 10:23IV (Vivo): Fulfillment - The inevitable, complete fulfillment of the promise.

I saw heaven standing open and there before me was a white horse, whose rider is called Faithful and True. - Revelation 19:11I find these four movements to have parallels in my daily life. If I make a good decision (like to practice more regularly), I feel a sense of exhilaration and well-being from it, even though I can count on obstacles popping up (I don't feel like it today). It is only when I obediently stick to my decision that I allow the original truth ...

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