| | Pavarotti In Concert CD Bonynge / Orch Del Teatro Comunale Di / Pavarotti CDS
| Category | Classical, Live Performances, Romantic Period, 20th Century Period, Orchestral/Symphonic, Modern, Baroque Period, Opera, Song, Post-Romantic, Classical Vocal Crossover, Song Cycle, Art Song, Romance, Neapolitan Song, Arietta |
Pavarotti In Concert Music | List Price | $14.99 (You save $2.94) | | Label | Decca | | Orig Year | 9/6/2007 | | All Time Sales Rank | 26456  | | CD Universe Part number | 7505158 | | Catalog number | 4758382 | | Discs | 1 | | Release Date | Sep 06, 2007 | | Recording Time | 48 minutes |
Pavarotti In Concert Review
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Pavarotti In Concert Songs 1. Griselda, opera: Per la gloria d'adorarvi (4:33) Windows Media Real Audio | | Common Name | Griselda Opera | | Composer | Giovanni Bononcini (1670 - 1747) | | Conductor | Richard Bonynge | | Performer | Luciano Pavarotti | | Genre | Baroque Period / Opera | | Date Written | 1722 | | Period | Baroque | | Country | Italy | | Venue | Teatro Comunale di Bologna | | Recording Date | 07/1973 | 2. Atalanta, opera, HWV 35: Care selve (3:22) Windows Media Real Audio | | Common Name | Atalanta Opera | | Catalog No. | HWV 35 | | Composer | George Frederick Handel (1685 - 1759) | | Conductor | Richard Bonynge | | Performer | Luciano Pavarotti | | Genre | Baroque Period / Opera | | Date Written | 1736 | | Period | Baroque | | Venue | Teatro Comunale di Bologna | | Recording Date | 07/1973 | 3. L' honestà negli amori, opera: Già il sole dal Gange (2:06) Windows Media Real Audio | | Common Name | L' Honesta Negli Amori Opera | | Composer | Alessandro Scarlatti (1660 - 1725) | | Conductor | Richard Bonynge | | Performer | Alberto Mantovani (Trumpet) Luciano Pavarotti | | Genre | Baroque Period / Opera | | Period | Baroque | | Country | Italy | | Venue | Teatro Comunale di Bologna | | Recording Date | 07/1973 | 4. Ma rendi pur contento, song for voice & piano (6 ariette da camera) (2:28) Windows Media Real Audio | | Composer | Vincenzo Bellini (1801 - 1835) | | Conductor | Richard Bonynge | | Performer | Luciano Pavarotti | | Genre | Romantic Period / Song | | Date Written | 1829 | | Period | Romantic | | Country | Italy | | Venue | Teatro Comunale di Bologna | | Recording Date | 07/1973 | 5. Dolente immagine di figlia mia, for voice & piano (3:28) Windows Media Real Audio | | Composer | Vincenzo Bellini (1801 - 1835) | | Conductor | Richard Bonynge | | Performer | Luciano Pavarotti | | Genre | Art Song / Romantic Period | | Date Written | 1821 | | Period | Romantic | | Country | Italy | | Venue | Teatro Comunale di Bologna | | Recording Date | 07/1973 | 6. Malinconia, ninfa gentile for voice & piano (6 ariette da camera) (1:47) Windows Media Real Audio | | Composer | Vincenzo Bellini (1801 - 1835) | | Conductor | Richard Bonynge | | Performer | Luciano Pavarotti | | Genre | Art Song / Romantic Period | | Date Written | 1829 | | Period | Romantic | | Country | Italy | | Venue | Teatro Comunale di Bologna | | Recording Date | 07/1973 | 7. Bella Nice, che d'amore, for voice & piano (6 ariette da camera) (2:46) Windows Media Real Audio | | Composer | Vincenzo Bellini (1801 - 1835) | | Conductor | Richard Bonynge | | Performer | Luciano Pavarotti | | Genre | Art Song / Romantic Period | | Date Written | 1829 | | Period | Romantic | | Country | Italy | | Venue | Teatro Comunale di Bologna | | Recording Date | 07/1973 | 8. Vanne, o rosa fortunata, for voice & piano (6 ariette da camera) (2:29) Windows Media Real Audio | | Composer | Vincenzo Bellini (1801 - 1835) | | Conductor | Richard Bonynge | | Performer | Luciano Pavarotti | | Genre | Art Song / Romantic Period | | Date Written | 1829 | | Period | Romantic | | Country | Italy | | Venue | Teatro Comunale di Bologna | | Recording Date | 07/1973 | 9. La Serenata for voice & piano/orchestra (3:20) Windows Media Real Audio | | Composer | Paolo Tosti (1846 - 1916) | | Conductor | Richard Bonynge | | Performer | Luciano Pavarotti | | Genre | Neapolitan Song / Romantic Period / Song | | Date Written | circa 1870-1915 | | Period | Romantic | | Country | Italy | | Venue | Teatro Comunale di Bologna | | Recording Date | 07/1973 | 10. Luna d'estate, for voice & piano/orchestra (2:14) Windows Media Real Audio | | Composer | Paolo Tosti (1846 - 1916) | | Conductor | Richard Bonynge | | Performer | Luciano Pavarotti | | Genre | Romantic Period / Song | | Date Written | 1880 | | Period | Romantic | | Country | Italy | | Venue | Teatro Comunale di Bologna | | Recording Date | 07/1973 | 11. Malia for voice & piano/orchestra (2:51) Windows Media Real Audio | | Composer | Paolo Tosti (1846 - 1916) | | Conductor | Richard Bonynge | | Performer | Luciano Pavarotti | | Genre | Romantic Period / Song | | Date Written | circa 1870-1915 | | Period | Romantic | | Country | Italy | | Venue | Teatro Comunale di Bologna | | Recording Date | 07/1973 | 12. Non t'amo più, for voice & piano/orchestra (5:28) Windows Media Real Audio | | Composer | Paolo Tosti (1846 - 1916) | | Conductor | Richard Bonynge | | Performer | Luciano Pavarotti | | Genre | Neapolitan Song / Romantic Period / Song | | Date Written | circa 1870-1915 | | Period | Romantic | | Country | Italy | | Venue | Teatro Comunale di Bologna | | Recording Date | 07/1973 | 13. Nevicata, song for mezzo-soprano & piano, P. 65 (2:27) Windows Media Real Audio | | Catalog No. | P 65 | | Composer | Ottorino Respighi (1879 - 1936) | | Conductor | Richard Bonynge | | Performer | Luciano Pavarotti | | Date Written | circa 1906 | | Period | Post-Romantic | | Venue | Teatro Comunale di Bologna | | Recording Date | 07/1973 | 14. Piòggia, song for voice & piano (or orchestra) (2:25) Windows Media Real Audio | | Composer | Ottorino Respighi (1879 - 1936) | | Conductor | Richard Bonynge | | Performer | Luciano Pavarotti | | Date Written | 1909 | | Period | Modern | | Venue | Teatro Comunale di Bologna | | Recording Date | 07/1973 | 15. Nebbie, song for mezzo-soprano & piano (or orchestra), P. 64 (3:06) Windows Media Real Audio | | Catalog No. | P 64 | | Composer | Ottorino Respighi (1879 - 1936) | | Conductor | Richard Bonynge | | Performer | Luciano Pavarotti | | Genre | Art Song / Song | | Date Written | circa 1906 | | Period | Post-Romantic | | Country | Italy | | Venue | Teatro Comunale di Bologna | | Recording Date | 07/1973 | 16. La danza. Tarantella Napolitana ("Già la luna è in mezzo al mare"), for voice & piano (Soirées music (3:09) Windows Media Real Audio | | Composer | Gioachino Rossini (1792 - 1868) | | Conductor | Richard Bonynge | | Performer | Luciano Pavarotti | | Genre | Art Song / Romantic Period | | Date Written | 1830-1835 | | Period | Romantic | | Country | Italy | | Venue | Teatro Comunale di Bologna | | Recording Date | 07/1973 |
Pavarotti In Concert Music Composers on Pavarotti In Concert CD : Alessandro Scarlatti, Vincenzo Bellini, Giovanni Bononcini, George Frideric Handel, Ottorino Respighi, Gioachino Rossini, Francesco Paolo Tosti Conductors on Pavarotti In Concert CD : Richard Bonynge Genres on Pavarotti In Concert CD : Art Song, Baroque Period, Neapolitan Song, Opera, Romantic Period, Song Performers on Pavarotti In Concert CD : Alberto Mantovani, Luciano Pavarotti
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$10.65 Composer's Notes The Miracle - Concerto for Piano & OrchestraIt's nothing new to write a piece of music as an expression of Christian faith and the beheld attributes of God. Johann Sebastian Bach was convinced that "the aim and final reason, as of all music!should be none else but the Glory of God and recreation of the mind. Where this is not observed, there will be no real music but only a devilish hubbub."*Nobody composes music, paints, or writes poetry to convince the observer of something he or she knows is not true - to convey a lie. The goal of the artist is to present a piece of work which will possess an innate authority and strength which only truth can provide. For me, the Bible has that ring of truth. Absolutely loaded with images and thoughts which directly apply to my life, it is a natural resource to help me express myself musically. Heinrich Shütz, a great composer of the seventeenth century, depended upon it almost entirely for his inspiration: "!the textual foundation for almost all his surviving music is the Bible. He seems to have had little interest in writing instrumental music. Instead, he seems to have been driven by the challenge of bringing the Bible to life."*Being an instrumentalist (you don't want to hear me sing), I am of the persuasion that it is possible for any, even nonverbal, artistic discipline to "bring it to life". If the Bible is true, then God intends for it to be known. If God created our imagination - our individual, creative gifts - then it follows that he would approve of, and even assist in, our using whatever they are to communicate what we learn from Scripture, since the whole reason for the Bible's existence is to reveal and glorify God. Martin Luther said, "I would like to see all arts in the service of Him who made them"*.A concerto is an unusual format for "sacred" music. But antiphony isn't. Our relationship to God is antiphonal (when we're paying attention); so I like the idea of using the concerto form to represent fellowship between God and the human beings he created. The title, "The Miracle", refers to the amazing offer from God - the beginning and creator of everything - of the gift of complete, eternal fulfillment through faith in Jesus Christ. It occurred to me to deal musically with four aspects of this miracle, so here is my thinking about each movement, along with its biblical reference:I (Allegro): Promise - Those who decide to believe God's offer will always receive hope and joy, along with the assurance that he will make good on it. Therefore, the promise comes by faith, so that it may be by grace and may be guaranteed! - Romans 4:16II (Grave): Struggle - Believers will still have to struggle in the world - although not without hope. My comfort in my suffering is this: Your promise preserves my life. - Psalms 119:50III (Adagio pastoral): Faithfulness - God's faithfulness transcends the struggle. Let us hold unswervingly to the hope we profess, for he who promised is faithful. - Hebrews 10:23IV (Vivo): Fulfillment - The inevitable, complete fulfillment of the promise. I saw heaven standing open and there before me was a white horse, whose rider is called Faithful and True. - Revelation 19:11I find these four movements to have parallels in my daily life. If I make a good decision (like to practice more regularly), I feel a sense of exhilaration and well-being from it, even though I can count on obstacles popping up (I don't feel like it today). It is only when I obediently stick to my decision that I allow the original truth ...
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