| | Alireza Mashayekhi Persian Electronic Music: Yesterday & Today 1966-2006 CD - Import Alireza Mashayekhi Discography of CDs
The Sub Rosa label presents the work of Alireza Mashayekhi and Ata Ebtekar/Sote, two essential, key luminaries in the so far very unknown electronic music scene as composed in Iran from the '60s until today. These Iranian music masters work ... Full Descriptionon ancestral structures to create something radically new, travelling around the world as vivid creators, working through the hazards of history. Alireza Mashayekhi (b. 1940) is a pioneer Iranian avant-garde composer whose ideas and works have been performed in his home country and abroad for more than 35 years. Ata Ebtekar aka Sote (b.1972) is an electronic composer, sound artist and recording engineer who is interested in recasting the tuning of Persian classical scales (radif) and melodies from old Persian folk songs within a new electronic framework. Since he has a firm conviction that rules and formulas have to be deconstructed and rethought, he alters some of these modal systems from their original tonality and rhythm. He has released several CDs and vinyls on Dielectric/RLR, Spundae and Warp. Sub Rosa offers you a Persian history lesson that finally exposes this region's rich and significant contribution to the realm of electronic music.The Wire (p.52) - "[An] intelligent, well-annotated collection....[These two] invoke the ghost country not with rose tinted nostalgia but by cunningly trowelling ageless patterns into the stonework of their music."
Record Collector (magazine) (pp.96-97) - 4 stars out of 5 -- "[This] collection throws the spotlight on two Iranian musicians whose music represents 40 years of Persian sonic exploration and experimentation, but looks back even further." Hide Description Persian Electronic Music: Yesterday & Today 1966-2006 Music Persian Electronic Music: Yesterday & Today 1966-2006 Review
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Recorded at SouthWest Sound, Sierra Madre, California.
Jim Stubblefield Group: Jim Stubblefield, Michael Peters (acoustic guitar); Steve Hong (fretless bass); Jeff Packman (drums, percussion).
BACKGROUND:RHYTHM OF THE HEART was recorded by the JIM STUBBLEFIELD GROUP in 1998 and features Michael Peters (flamenco guitar), Steve Hong (bass), and Jeff Packman (drums). The CD was a semi-finalist in the New Age Voice Magazine (NAV) "Acoustic Instrumental Album of the Year" category for 1999. Jim's music also appears on Neurodisc's PURE FLAMENCO: NUEVO FLAMENCO PASSION compilation along with such artists as Ottmar Liebert, Govi, and Eric Hansen.Jim is a founding member of the Latin guitar oriented world music group INCENDIO. Their recordings, MISTERIOSO (2000), ILLUMINATION (2001), and INTIMO (2003), have gone on to sell tens of thousands nationally and have charted in Billboard, NAV and CMJ.REVIEWS:"The Jim Stubblefield Group's album, Rhythm of the Heart, is an imminently listenable nuevo flamenco/adult contemporary instrumental recording that goes down very smoothly. The music is accessible, likable, and infectious. Jim plays a mean acoustic guitar and the other group members (second guitar, drums/percussion, and bass) play with authority and conviction. This group is tight - very tight. Something tells ...
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In the year since the release of Ming & Ping's 2004 debut LP MingPing.com, these Hong Kong-born, San Francisco-dwelling identical twins have become a small scale pop-cultural phenomenon, attracting a diverse and devoted cult following with their sublimely subdued, New Wave-inflected pop songs, smart visual style, and soft-spoken charisma. Though still flying under mass media's radar, Ming & Ping's videos, music, ...
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“John was very inspiring! He plays so well.”-Shawn Colvin, Sony Recording Artist, Grammy Award Winner“John's music dances on the very tip of a needle stuck solidly between subtlety and power, and the beauty of his vantage point is in his ability to lean toward one side or the other at a finger snap"-Kelly Joe Phelps, Rykodisc Recording Artist“First and foremost I am a musician. I love the sound of an acoustic guitar in it’s most naked form, but I also love the sound of it plugged in and feeding back. I want to captivate people with all the components of my music- the vocals, the words and the pure manipulation of sound.” - J.F.John began playing guitar at ten years of age and hasn’t looked back since. Studies in classical guitar provided some formal ...
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