| | Michael Blake Amor De Cosmos CD - Import Michael Blake Discography of CDs
With his 2007 album, AMOR DE COSMOS, veteran jazz saxophonist Michael Blake leads his ensemble, which includes trumpet player Brad Turner and pianist Chris Gestrin, on a vibrant set of post-bop jazz. Never one to shy away from avant-garde experimentalism, Blake balances his outré leanings with serene passages and hypnotic grooves, as on "Ghostlines" and "Temporary Constellation," respectively.
Michael Blake (Sax): Michael Blake (soprano saxophone, tenor saxophone); Chris Gestrin, Sal Ferreras, Dylan van der Schyff, André Lachance, Brad Turner.
Personnel: Brad Turner (trumpet); Chris Gestrin (piano, electric piano, electronics); Sal Ferreras (marimba, percussion); André Lachance (acoustic bass); Dylan van der Schyff (drums).
Audio Mixer: John Raham.
Recording information: The Factory (09/15/2005).
Editor: John Raham.Down Beat (p.68) - 4 stars out of 5 -- "AMOR DE COSMOS captures every facet of Blake's significant talents, letting his improvisations, arrangements and compositions thrive on equal footing."
JazzTimes (p.76) - "The music is typical of Blake, drawing on free improvisation, modern classical forms, backbeat funk, straightahead swing, calypso and whatever falls into the cracks separating those idioms." Michael Blake Amor De Cosmos Songs Amor De Cosmos Review
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Purchase Amor De Cosmos CD To buy, Click on price to add to cart | Lady Macbeth Of Mtsensk DVD (1992)
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I developed a passion for the harmonica about 20 years ago. The instrument chose me one night, while attending a Bob Walsh concert with his harmonicist, Guy Belanger. I immediately knew that the harmonica and I would have a long lasting relationship. I have always wanted to be in perfect harmony with my instrument so I could add my harmonicas to music and lyrics. In fact, one of my goals was to associate myself to a songwriter in order to give a little extra to a song and add more emotion to it. That is quite a challenge because the relationship between a songwriter and a musician pushes the limits of the musical objectivity as well as make you understand your own emotions. Over the years, I felt the urge of leaving the traditional musical path that many tend to identify to the harmonica. The great value of freedom of expression, that is so dear to everyone but so difficult to set in motion, is also very important to the musician. The balance between the musical expression and the harassment of my neighbors' aural sense leads to the search of a harmony that allows expression at the edge of my comfort zone. In order to express myself musically, in a free and honest way, I hobbled towards various musical horizons. Through this process, which at times felt more like an escape, the soloist suddenly became a melodist. My sound has matured into a swifter and more ringing musical phrasing. Latino and African sounds blend in perfectly with my playing while the main melody remains occidental. The influence of rock guitarists is very present in my music. The dynamic of the songs are very guitar oriented. My musical project is based on diversity and emotion. Life has showered me with many pleasant surprises. One of them was a short detour in Western Canada where I lived for 3 years. Over there, I fell in love with the magnificent Prairies. That particular landscape was everything a freedom freak like me could ever hope for . The never-ending horizon, ...
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