| | Frankie Negron No Vuelvo Contigo CD Frankie Negron Discography of CDs
 (3 Customer Reviews)
Frankie Negron No Vuelvo Contigo Songs | 1. | No Vuelvo Contigo |
| 2. | Lento |
| 3. | No Puedo Con Ella |
| 4. | Todo Es Mentira |
| 5. | Si Me Enamoro de Ella |
| 6. | Tu Voz |
| 7. | Cosas Que Vives, Las |
| 8. | Amanecer Contigo |
| 9. | Amarte a Ti |
| 10. | Hipocrita |
|
No Vuelvo Contigo Music Review Average Rating: (4.3 out of 5 stars)   Frankie "never let me down" Negron
This young artist continues to light up the dance floor with his music. Pick your favorites.
Submitted by salsajuan50 (Bronx, NY)
Was This Review Helpful? Yes No
 Sergio George its the best of the best!!
A compilation of "Mejor Que Nunca"-2006 and"Amanecer Contigo"2005
Produced by Sergio George and with arrangenments of Sergio George and
Mike Rivera and Efrain Davila Jr makes
this compilation unique and puts
Frankie at his best.....
ATACA SERGIO!!!
Submitted by Luis,NSL MUSIC INC (Fayetteville, NC)
Was This Review Helpful? Yes No
The best singer in Latin Music!!!!
Frankie Negron has the best voice and he is also the best singer in Latin Music.
In this 10th CD of his career he reveals one more time his flawless performance.
He really got that salsa groove going on!!!
Fun, entertaining, yet fine and precise!
Submitted by amalka2002 (California)
Was This Review Helpful? Yes No | Have you heard this album? |  |
Purchase No Vuelvo Contigo CD To buy, Click on price to add to cart | Xtreme Chapter DOS: On The Verge CD (2009)
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Lyrics and liner notes translated from the Portuguese by Wendy Bazilian.
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| | Gary Gable New Life CD (2006)
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About the Music: Gary's work combines and alternates among orchestral film music, new age, soft jazz, theatrical and pop song structures. Like music for film, the pieces on this album evoke visuals and moods. Most relax the listener, opening the mind to suggestion, imagery and emotional impulses. All are actually structured as songs, then orchestrated. "New Life" is Gary's fifth album. While threads of pop and soft jazz can be found throughout the album, theatrical and dramatic elements prevail in this album even more so than in the previous four works. Bio: Gary Gable was born Gary Grebelsky in Akron, Ohio in 1948. He started exploring the piano when he was five years old during infrequent visits to his great-aunt in Cleveland, the only relative with a piano. Gary started piano lessons at the age of nine with a keyboard made of paper. A very shy child, Gary was recognized as a creatively and intellectually gifted. He studied classical piano on and off for three years before quiting to "learn on his own and create his own music." During his childhood, he stopped to explore the sound and feel of every piano he encountered, as each seemed to suggest to him its own music. Sitting at each instrument was like meeting and exploring a new friend. For Gary, being a kid in a piano store was better than being a kid in a candy store. At the age of twelve his father bought him a used tape recorder from a pawn shop and Gary began recording some of his music exploration. Gary graduated from Oberlin College in January, 1971, with a major in Communications for film production and a minor in Studio Art. While in college, he not only enjoyed every piano and organ available in the practice rooms of the conservatory, but he worked as an assistant in a film mix house and recording studio in Cleveland, Ohio, experimenting with the original Moog synthesizer and sixteen-track recording. During college he also received credits from Harvard University in Visual Studies and the Psychology of Creativity. He was especially interested in the notion that creativity occured spontaneously, not only when exploring that which is unfamiliar, but when combining things that ordinarily are not associated or found together. While in Cambridge, he worked part time as a driver and personal assistant for the inventor of Technicolor, an octogenarian with numerous patents who also challenged him to explore his creativity with games like associating words that have no rational connection with each other. Upon returning to Oberlin in Ohio to finish his degree, he was involved in several low budget film projects as producer and actor, including a feature film produced in Los Angeles with assistance from the American Film Institute. For this film he rented a then-state-of-the-art editing machine from Norman Mailer in New York City and trucked it back to Ohio. The film was a dud, but thanks to his experience with that editing machine and related contacts, Gary got his first job after graduating from college as a film editor for Allen Funt and lived in Manhattan in the 1970's. He was responsible for editing a Candid Camera ABC Movie of the Week, an ABC Wide World of Entertainment late night TV Special (a Candid Camera 25 year retrospective) and the pilot and first season of the New Candid Camera syndicated series. He left ...
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Sicilian-born pianist "George Wallington" (his given name was Giacinto Figlia) had more than ethnicity in common with Dodo Marmarosa. Both men were active in the burgeoning bop scene of the early and mid-'40s, both made important contributions to the evolution of modern jazz, and both withdrew from public activity for protracted periods of time. Most importantly, both of these excellent pianists left enough great music in their wake to warrant a reappraisal of their legacies. Wallington named Mel Powell, Al Haig, and Bud Powell as his favorite contemporaries; primary influences were Art Tatum, Count Basie, and especially Earl Hines. He collaborated and consulted with Charlie Parker, Dizzy Gillespie, Oscar Pettiford, and Max Roach during bop's formative years; later he would befriend young Mose Allison and help him to get established as both recording artist and ...
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