| | Los Tigrillos Mano A Mano CD Los Tigrillos Discography of CDs
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Our Price: $9.25  CDFor Sale Usually ships in 1-2 days
(Only 1 available)
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Los Tigrillos Mano A Mano Songs | 1. | La Etica |
| 2. | Oh que Gusto de Volverte a Ver |
| 3. | La Suavecita |
| 4. | Ella es una Diosa |
| 5. | Que Chido |
| 6. | Cumbia Morena |
| 7. | El Camaleon |
| 8. | Viva el Amor |
| 9. | La Botella |
| 10. | Que Si, Que Si |
| 11. | El Berem Bem Bem |
| 12. | Vuela Paloma |
| 13. | Vampiresa |
| 14. | El Sirenito |
| 15. | La Solterona |
| 16. | Carta de Recuerdo |
| 17. | Como lo Bate |
| 18. | Cumbia Sabor |
| 19. | Como Baila la Mujer |
| 20. | Donde Estas |
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Mano A Mano Review
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Issued in late 2007, FRIEND is the follow-up to Grizzly Bear's lauded YELLOW HOUSE, and features reworked versions of tracks from that album and its predecessor, HORN OF PLENTY, by both the Brooklyn-based group and other indie acts. The quartet is joined by Beirut's Zach Condon and the Dirty Projectors on a restless new rendition of "Alligator," while Atlas Sound (aka Deerhunter's Bradford Cox) contributes a mesmerizing minimalist take on "Knife." Other standout tracks on the collection are Grizzly Bear's haunting, echo-laden cover ...
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The fourth and final volume in the African Dub All-Mighty series was originally released in 1979, and like the previous three discs it features rhythm tracks laid down by such famous session men as Sly Dunbar, Robbie Shakespeare, Lloyd Parks, and Franklin "Bubblers" Waul, most of whom were already known as members of the Revolutionaries and the We the People band, but who recorded at Joe Gibbs' studio as the Professionals. Errol Thompson ran the board for all four collections of dub mixes, and while this fourth installment isn't quite as inspired as the third, it's also a bit more interesting and adventurous than the first. Some of these mixes are two or three times removed from the vocal tracks that were originally released -- "Iron Gate," for example, is a dub mix of a recut (by Althea & Donna) of the Heptones' proto-slack rocksteady classic "Fattie Fattie"; "Fashion One" is a remix of Dennis Brown's remake of Alton Ellis' 1960s classic "Girl I've Got a Date." Everything here is worth a listen, though "Power Pack" (based on the instrumental ...
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The Beat Magazine:"...this independent release should not be taken lightly. Few have told a musical diaspora story with such frankness and grace." ~ nego beto "I will be playing a lot more of [this] on the air... because [it contains] a lot of beautiful music!"~ Chico Alvarez, New World Gallery, WBAI"A marvelous synthesis of sacred sounds! For peoples of the Afro-Atlantic world, the arts are offerings to invoke, honor, and celebrate the spiritual forces that shape our lives -- goddesses, gods, ancestors. The performative force (AXE) of these musical gifts is truly inspiring!"~ Henry Drewal, Art Historian,Univ. of Wisconsin, Madison~~~~~~~~~~~~~~~~~~~The brain-child for this project came after Anne Pollack, leader of Magica, traveled to Bahia, Brazil. There, faced with the power of the Yoruba tradition (Candomble), Worlds Collide started taking shape as an acknowledgement of all the musical trails Pollack has been down. Layers upon layers of percussion, call and response chorus, flutes, cellos, and a forceful rhythm section are the weaving together of the rhythms and chant songs of the Candomble (Afro-Brazillian devotional tradition of Bahia). Worlds Collide is a journey of the spirits at the musical crossing points of Brazil & Cuba, Africa & the Americas, the Caribbean, Celtic, Arab & Moorish worlds...all touched by the colors of Jazz. This music is the place where the tides cross, at the juncture of the deep human heart and the endless spirit of nature.About the Artist...Anne Pollack (flutist, cellist and composer) is a two-time recipient of the National Endowment for the Arts Award in Jazz and Afro-Caribbean Music and has received several Meet The Composer GrantsAbout the Group...With ...
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