| | Bruno & Marrone Acorrentado Em Voce CD Bruno & Marrone Discography of CDs
Acorrentado Em Voce Music Bruno & Marrone Acorrentado Em Voce Songs | 1. | Acorrentado em você |
| 2. | Alçapão |
| 3. | Apenas um sorriso |
| 4. | Vem me buscar |
| 5. | Tá combinado assim |
| 6. | Te amo e não te quero |
| 7. | Qual é a sua |
| 8. | Me deixa entrar |
| 9. | O campeão |
| 10. | Seu coração machuca o meu |
| 11. | Rei do rodeio |
| 12. | O que a saudade faz |
| Acorrentado Em Voce Review
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Purchase Acorrentado Em Voce CD To buy, Click on price to add to cart | Texas Tornados Esta Bueno CD (2010) Digipak
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$11.54 The Texas Tornados quietly folded in the wake of the death of Doug Sahm in 1999, but roughly a decade later they just as quietly became a going concern under the direction of his son Shawn, reuniting for regular gigs and a new album called Esta Bueno!. Released in March of 2010 (alongside the publication of the first-ever Doug Sahm biography entitled -- what else -- Texas Tornado), Esta Bueno! revives a couple of Sir Doug staples ("Chicano" and Bobby Charles' "Tennessee Blues"), and also several unreleased performances from the other departed Tornado, Freddy Fender -- a whopping ...
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$36.99 Track Listing of songs: All I Need pornocult hype extended mix; Break Of Dawn 2008; Tiny Dancer camel rider extended; Get Get Down laidback luke remix; Breakaway; Berimbau; The End; 3 Minutes To Explain; Baba O Riley; Bring the Noise Remix benny benassi; The Groove Of Love get-far mix; Better World dj sign remix; Deep At Night adam k and soha remix; Blink dim chris remix; Dooms Night; ...
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Acorrentado Em Voce music CDs
$14.49 As a director or as a musician, Rob Zombie shows no signs of closing the door on either of his creative endeavors anytime soon. Returning with his first album since 2006's Educated Horses, after several delays following this record's completion in 2008 -- due to his work on Halloween 2, lack of promotion, and time spent shopping for a new label after 18 years of recording for Geffen -- Zombie has since gone on to say that the songs on Hellbilly Deluxe 2 were his easiest to write. This could be because it was his first outing to include help from his bandmates (longtime touring comrades guitarist John 5, bassist Piggy D, and drummer Tommy C) but it's probably more attributed to the fact that making songs like these is old hat by now. "Jesus Frankenstein," "Sick Bubblegum," and "Mars Needs Women" are the same schlocky grooves that made up his five previous solo records and six White Zombie records. His trademark "yeah" and monotone hoedown growl are still front and center, the B-horror movie references are still plentiful (Frankenstein, martians, witches, and two songs about werewolves), and the chugging guitars and dark, sleek beats are still trashy enough to be stripclub staples. Chris Baseford's production is thick throughout, withstanding the single, "What," a song Zombie and company wrote and recorded in only a few hours. Influenced by `60s garage rock, the vocals are run through a maximal amount of mid-range distortion and accented by temporize clinks and organ riffs behind the usual crunch. At this point in his career, his best move is to take these types of risks, and when he does so on the ten-minute closer "The Man Who Laughs," with its underlying orchestral score by Tyler Bates (composer for the Halloween remakes The Devil's Rejects and The Watchmen), the results are compelling and unnerving in a good way. ~ Jason Lymangrover
As a director or as a musician, Rob Zombie shows no signs of closing the door on either of his creative endeavors anytime soon. Returning with his first album since 2006's Educated Horses after several delays following the record's completion in 2008 (due to his work on Halloween 2, lack of promotion, and time spent shopping for a new label after 18 years of recording for Geffen), Zombie has since gone on to say that the songs on Hellbilly Deluxe 2 were his easiest to write. This could be because it was his first outing to include help from his bandmates (longtime touring comrades guitarist John 5, bassist Piggy D., and drummer Tommy C), but it's probably more attributed to the fact that making songs like these is old hat by now. "Jesus Frankenstein," "Sick Bubblegum," and "Mars Needs Women" are the same schlocky grooves that made up his five previous solo records and six White Zombie records. His trademark "yeah" and monotone hoedown growl are still front and center, the B-horror movie references are still plentiful (Frankenstein, martians, witches, and two songs about werewolves), and the chugging guitars and dark, sleek beats are still trashy enough to be strip club staples. Chris Baseford's production is thick throughout, notwithstanding the single, "What," a song Zombie and company wrote and recorded in only a few hours. Influenced by `60s garage rock, the vocals are run ...
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