| | Over The Water: Music For Recorder And String Orchestra CD Camerata, Manchester / Mckenzie / Turner, John CDS
Over The Water: Music For Recorder And String Orchestra Music Over The Water: Music For Recorder And String Orchestra Review
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Over The Water: Music For Recorder And String Orchestra Songs 1. Partita for recorder & string orchestra, Op. 13b: 1. Entrada (9:26)  Windows Media  Real Audio | | Composer | Franz Reizenstein (1911 - 1968) | | Conductor | Richard Howarth | | Performer | John Turner (Recorder) | | Date Written | 1954 | | Venue | Hallam Hall, Stockport Grammar School | | Notes | Hallam Hall, Stockport Grammar School (07/13/2006-07/14/2006) | | 2. Partita for recorder & string orchestra, Op. 13b: 2. Sarabande (10:36) Windows Media Real Audio | | Composer | Gordon Crosse (1937 - ) | | Conductor | Richard Howarth | | Performer | John Turner (Recorder) | | Date Written | 1982-1988 | | Period | Contemporary | | Venue | Hallam Hall, Stockport Grammar School | | Notes | Hallam Hall, Stockport Grammar School (07/13/2006-07/14/2006) | | 3. Partita for recorder & string orchestra, Op. 13b: 3. Bourrée (3:49) Windows Media Real Audio | | Composer | Arthur Butterworth (1923 - ) | | Conductor | Richard Howarth | | Performer | Louise Thomson (Harp)
John Turner (Recorder) | | Date Written | 2000-2005 | | Venue | Hallam Hall, Stockport Grammar School | | Notes | Hallam Hall, Stockport Grammar School (07/13/2006-07/14/2006) | | 4. Partita for recorder & string orchestra, Op. 13b: 4. Jig (5:33) Windows Media Real Audio | | Composer | Antony Hopkins (1921 - ) | | Conductor | Richard Howarth | | Performer | Louise Thomson (Harp)
John Turner (Recorder) | | Date Written | 1952-2006 | | Venue | Hallam Hall, Stockport Grammar School | | Notes | Hallam Hall, Stockport Grammar School (07/13/2006-07/14/2006) | | 5. Watermusic, for recorder & piano (or string orchestra): 1. Prelude (5:12) Windows Media Real Audio | | Composer | Francis Jackson (1917 - ) | | Conductor | Richard Howarth | | Performer | John Turner (Recorder) | | Date Written | 1999-2004 | | Venue | Hallam Hall, Stockport Grammar School | | Notes | Hallam Hall, Stockport Grammar School (07/13/2006-07/14/2006) | | 6. Watermusic, for recorder & piano (or string orchestra): 2. Barcarolle (9:18) Windows Media Real Audio | | Composer | Arnold Cooke (1906 - 2005) | | Conductor | Richard Howarth | | Performer | John Turner (Recorder) | | Date Written | 1959 | | Venue | Hallam Hall, Stockport Grammar School | | Notes | Hallam Hall, Stockport Grammar School (07/13/2006-07/14/2006) | | 7. Watermusic, for recorder & piano (or string orchestra): 3. Hornpipe (4:04) Windows Media Real Audio | | Composer | Michael Hurd (1928 - 2006) | | Conductor | Richard Howarth | | Performer | John Turner (Recorder) | | Date Written | 2004 | | Venue | Hallam Hall, Stockport Grammar School | | Notes | Hallam Hall, Stockport Grammar School (07/13/2006-07/14/2006) | | 8. Rêverie for recorder, harp & string orchestra, Op. 113a ("Farewell Manchester") (8:03) Windows Media Real Audio | | Composer | Anthony Hedges (1931 - ) | | Conductor | Richard Howarth | | Performer | Louise Thomson (Harp)
John Turner (Recorder)
Janet Fulton (Percussion) | | Date Written | 2004-2005 | | Venue | Hallam Hall, Stockport Grammar School | | Notes | Hallam Hall, Stockport Grammar School (07/13/2006-07/14/2006) | | 9. Suite for recorder, harp & string orchestra: 1. Prelude (18:15) Windows Media Real Audio | | Composer | Elis Pehkonen (1942 - ) | | Conductor | Richard Howarth | | Performer | John Turner (Recorder) | | Date Written | 2004 | | Venue | Hallam Hall, Stockport Grammar School | | Notes | Hallam Hall, Stockport Grammar School (07/13/2006-07/14/2006) |
Over The Water: Music For Recorder And String Orchestra Music Composers on Over The Water: Music For Recorder And String Orchestra CD : Anthony Hedges, Antony Hopkins, Arnold Cooke, Arthur Butterworth, Elis Pehkonen, Gordon Crosse, Francis Jackson, Michael Hurd, Franz Reizenstein Conductors on Over The Water: Music For Recorder And String Orchestra CD : Richard Howarth Performers on Over The Water: Music For Recorder And String Orchestra CD : Janet Fulton, John Turner, Louise Thomson Purchase Over The Water: Music For Recorder And String Orchestra To buy, Click on price to add to cart | Andre Rieu - The Homecoming DVD (2006)
Over The Water: Music For Recorder And String Orchestra
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Since Chris Young appeared on the "Nashville Star" television program in 2006, he's been on a roll. After signing with RCA he had a hit with "Drinkin' Me Lonely," his first single from his self-titled debut recording. Likewise, the two singles that have preceded the release of THE MAN I WANT TO BE in 2009 haven't done too badly either, getting plenty of play on radio. While Chris Young's sound is firmly in the contemporary country camp, it's also a lot more hardcore honkytonk than it is the refried '70s rock clichés that plague the genre. Part of that is due to his big booming baritone voice that rings as clear as a bell in this mix. (Think George Strait-meets-Josh Turner.) The other part of his appeal is the use of a relatively small group of musicians, giving the disc a more organic sound than a lot of what's out there. Young also has a lot of respect for tradition: "Rose in Paradise" is drenched in fiddles, mandolins, and acoustic guitars. It's a country-styled blues and features no less than Willie Nelson as a duet partner. The final track on the set is a moving cover of Tony Joe White's "Rainy Night in Georgia." Its beauty lies in its arrangement; his reading of this classic ballad is utterly tender and believable, accentuanted by a sparse, stripped-down production. And rather than stick with his trademark baritone, he stretches his vocal range--including a mean falsetto--to the brink and still pulls it all off.
Recording information: Loud Recording, Nashville, TN; Oceanway Studios.
Photographer: Marina ...
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On the cover of 'Sergeant Pepper' the Beatles masqueraded as a brass band and now the Canadian Brass have returned the favor. Given the obvious attractions of such a program it is not surprising that the kings of the classical-pop crossover should want to meet the Beatles, only that it took them so long to get around to it. Throughout the catalog of John Lennon and Paul McCartney's tunes there is an undercurrent of classical influence, made explicit in some of the arrangements by their producer George Martin, and several of the most famous examples, "Yesterday," "Eleanor Rigby" ...
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