| | Cafe Solaire, Vol. 13 CD - Import
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Purchase Cafe Solaire, Vol. 13 CD To buy, Click on price to add to cart | Grizzly Bear Veckatimest CD (2009) Digipak
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| | Madonna Ray Of Light CD (1998)
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RAY OF LIGHT won the 1999 Grammy Award for Best Pop Album and for Best Recording Package, and was nominated for Album Of The Year. "Ray Of Light" won the 1999 Grammy for Best Dance Recording and Best Short Form Music Video, and was nominated for Record Of The Year.
Relentlessly contemporary, RAY OF LIGHT pairs Madonna with producer William Orbit, an electronics wizard who has worked with major R&B acts and even such modern rockers as Blur and Depeche Mode. Reportedly, Madonna tried to snare Liam Howlett of high-strung techno-rockers the Prodigy into the project--Howlett claims to have turned her down. But the more dextrous, less in-your-face ...
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Bibio's Stephen Wilkinson had a banner year in 2009. He rang it in with Vignetting the Compost, an album that seemed to beckon spring with its delicate, pastoral electronics, then took his music several steps forward with that summer's Ambivalence Avenue, which was as dazzling as it was eclectic. Wilkinson closed the year with The Apple and the Tooth's hybrid of new songs and remixes by similarly wide-ranging artists who found plenty of ways to push Ambivalence Avenue's tracks in even more far-flung directions. Some remixers hone in on the album's anything-goes feel: Clark, whose fearless sound clashes feel like a major influence on Bibio, takes the already hyperactive "S'vive" to another level of brilliant fragmentation, using sudden stops and starts, layers of dreamy analog synth, and crashing electronic noise to rework the song so drastically it feels like a suite of mini-remixes. Letherette's transformation of "Lover's Carvings" from a folky guitar vignette into a soulful, bottom-heavy slow jam is even more radical, even if it's not ...
| | Strapps Live At The Rainbow 1977 CD (2008)
Cafe Solaire, Vol. 13 music CDs
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The Strapps weren't exactly dinosaurs; in fact, their debut album hit the shops in 1976, but that didn't stop the punks stomping them to death regardless. By 1978, the group were done in, strapped for cash, gigs, and a drummer, when Mick Underwood was pinched by Ian Gillan for his eponymous band. But in their two-year life-span, the group released four albums, undertook two major tours, the first supporting Deep Purple, the second Ian Gillan Band, and captured their 1977 set at London's Rainbow club for posterity on both tape and film. The Strapps certainly had a lot going for them, beginning, of course, with the fabulous rhythm section of veteran Underwood and young gun Joe Read. Beyond that pair there was their phenomenal keyboardist Noel Scott. An extremely versatile musician, Scott could splash out acid drenched passages, cathedral chords, and rollicking R&B barrelhouse piano at will, but rarely where one would expect to hear them. Aussie frontman Ross Stagg was all gruff vocals and smoking guitar, flicking out riffs and licks in a futile attempt to beat Scott to the spotlight. If they had arrived a few years earlier, the band would have steamrolled across the scene with their ferocious live performances; in fact, their sets were oft times met with greater audience acclaim than the headliners. The Rainbow show captured them in all their fiery glory, with this release making the music available for the first time. The album appends a trio of studio numbers to the live set, ...
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