| | Lupillo Rivera En Acustico CD Lupillo Rivera Discography of CDs
Lupillo Rivera En Acustico Songs | 1. | Amores Fingidos |
| 2. | Cien Aos |
| 3. | Prefiero La Calle |
| 4. | Te Solte La Rienda |
| 5. | Botas De Charro |
| 6. | Baraja De Oro |
| 7. | Despreciado Me Voy |
| 8. | Nieves De Enero |
| 9. | La Cosecha |
| 10. | Tragos Amargos |
|
En Acustico Review
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Purchase En Acustico CD To buy, Click on price to add to cart | Pedro Fernandez Amarte a La Antigua CD (2009)
En Acustico
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This one-of-a-kind tribute celebrates TMM's 10th anniversary with the release of a remastered CD/DVD collector's edition. Included are salsa versions of classic Beatles songs performed by Tony Vega, Tito Nieves, Tito Puente, Guianko, Johnny Rivera, Celia Cruz, Ray Sepulveda, Manny Manuel, Domingo Quinones, Oscar D'Leon, Jesus Enriquez, Miles Pena, Cheo Feliciano, Jose Alberto "El Canario," Isidro Infante & La Orquesta RMM, Jorge Enriquez, Frankie Morales, David Novello, and Ravel.
Performers include: Celia Cruz, Oscar D'Leon, Tito Puente, Cheo Feliciano, Tony Vega, Jose Alberto "El Canario", Tito Nieves, Domingo Quinones, Manny Manuel, Johnny Rivera, Ray Sepulveda, Miles Pena, Guianko, Jesus Enriguez.
Tributee: The Beatles.
On December 31, 1962, the Beatles performed the classic song "Besame Mucho" at the Star Club in Hamburg, Germany, in recognition of the highly emotive music from Latin America. Four decades later, RMM decided to bring the Beatles' greatest hits back, this time played by some of the most prominent Latin artists in a tropical tribute to one of the most influential acts in popular music ever. After the opening track, "Hey Jude," by Puerto Rican singer Tony Vega, Tito ...
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Audio Mixers: Jesus Ortiz; Armando Terrazas.
Arrangers: Oscar Ponce; Virginia Terrazas.
Chicago-based duranguense outfit ...
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En Acustico
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Tributee: Peter Gabriel.
Since these string quartet tributes to everybody under the sun started coming out -- even artists with one album who are on the charts for the first time get one these days it seems (can the String Quartet Tribute to Ruben Studdard be far away?) -- it seems that the musicians who play on these things have become more like factory workers, rivaling in tape hours the old Nash Vegas countrypolitan studio guys. These things get issued like six or seven titles at a time! The problem is that when the brain trust at Vitamin Records decides to do one of these sessions on an artist who might actually benefit from the treatment -- like this present subject -- the label's streamlined, crank-it-out philosophy results in a disc that stakes no originality in the approach and sounds very literally like almost everything else that rolled off the production line. That's really too bad, because the potential to do something really special was here. The track selection makes the mouth of the unsuspecting punter water: "Solsbury Hill," "Shock the Monkey," "Here Comes the Flood," "Red Rain," and so on. Alas, nothing but stock charts and uninspired playing ruin what could have been an actually welcome appendage to Peter Gabriel's catalog, making this "effort" all the more disconcerting, tawdry, and dreary. ~ Thom Jurek
Since these string quartet tributes to everybody under the sun started coming out, these days it seems like artists with a single album on the charts for the first ...
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NOMINATED FOR BEST WORLD MUSIC ALBUM IN THE 2007 ARIAS!Australia’s internationally award-winning ‘magical purveyors of the A Cappella art’ have released their sixth album Blueprint to critical acclaim and an ...
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Recording information: Emusa Records.
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Since forming in the fall of 2004, Level Route has opened up for Texas music sensations such as Trent Willmon, The Mike McClure Band,Bleu Edmonson, Mark David Manders, Redneck,Kevin Fowler, Jason Boland, Stoney Larue, The Great Divide, Brandon Jenkins, The Randy Rogers Band, Brandon Rhyder, and Rodney Pyeatt. Level Route has taken their special brand of music to venues all over Texas,Oklahoma,Arkansas,and ...
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Growing up on the “urban-side” of Burlington, a small North Carolina town later known as “Berlin” for its cultural division, Edgar Allen Po’etry discovered his love for music at a young age. First gaining a major appreciation for the art form from his father’s collection of 70’s heavy hitters such as Sly and the Family Stone, Curtis Mayfield and Patti LaBelle, he then began to use music as a vehicle to express his real life experiences. Days spent on the local basketball court introduced Edgar Allen Po’etry to the hip-hop culture. Early albums by Eric B. and Rakim, M.C. Lyte, and Slick Rick secured his love for the craft. Rhyming and B-boying with childhood friend Alibi became a part of life and helped him perfect his gift. At age 16, he made his first recording with the Underworld Dynasty at D.J. Polo’s Greensboro, NC studio. Using music as his only outlet, Edgar Allen Po’etry learned to pour real life situations and emotions into poetic form. And from there his cinematic wordplay and lyricism continued to flourish. Through freestyle ciphers and local battles he gained respect and credibility.Being able to create visual images involving scenes of true life ‘hood stories, philosophies, relationships, spirituality, and pain with words, Po was established as a definite ...
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