| | Brooks / Green Live CD Brooks / Green Discography of CDs
This album was recorded live from the nite club stage. Ray and Sonny tried to do the blues in the vain of the 50's and 60's sound. Live Music | Category | Blues Albums | | Label | CD Baby | | CD Universe Part number | 7605323 | | Catalog number | 163966 | | Discs | 1 | | Release Date | Dec 25, 2007 |
Brooks / Green Live Songs | 1. | Who's Makeing Love |
| 2. | I'll Take Care of You |
| 3. | If You Love Me Like You Say |
| 4. | That's the Way Love Is/Aint Nothing You Can |
| 5. | I Worry About You |
| 6. | Disco Lady |
| 7. | I Found Ah Love |
| 8. | The Love I Lost - Ray Brooks |
| 9. | Blues At Sunrise - Ray Brooks |
| 10. | Never Found a Girl - Ray Brooks |
| 11. | Just My Imagination - Ray Brooks |
| 12. | You Done Me Wrong - Ray Brooks |
| 13. | Home At Last - Ray Brooks |
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Live Review
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Purchase Live CD To buy, Click on price to add to cart | Gary Moore Bad For You Baby CD (2008)
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| | Jim Suhler Tijuana Bible CD (2009)
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| | Roy Rogers Split Decision CD (2009)
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Slide guitar king Roy Rogers (not to be confused with the old cowboy star of the same name) has played with everyone from John Lee Hooker to Bonnie Raitt to John Gorka, and that musical range is the key to what makes SPLIT DECISION tick. Stylistically speaking, Rogers mixes things up more than ever before on this album, moving from stomping Chicago blues to expressive, Ry Cooder-like moments to blues-rock and ...
| | Joe Bonamassa New Day Yesterday: Live CD (2005)
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| | Violin, Sing The Blues For Me: African-American Fiddlers 1926-1949 CD (1999)
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| | Leon Thomas Blues And The Soulful Truth CD (2004) (Import) Germany
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| | Johnny Winter I'm A Bluesman CD (2004) (Import) Bonus Track; Japan
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The Japanese release of the 2004 album contains an additional track, "Headed For Hard Times."
On guitar-slinger Johnny Winter's 2004 outing, I'M A BLUESMAN, his spicy style of playing keeps with a legacy dating back to the late 1960s, when he was playing on the club circuit of tiny Beaumont, Texas. Tapping Roy Buchanan/Albert Collins producer Dick Shurman to man the console, Winter wisely brings his touring band into the studio with him.
Although the albino axe-wielder's guitar tone sounds oddly compressed, his still-impressive playing does much to dispel any distractions. Such is the case when the sixtysomething Texan plays the spurned-lover card, be it on the organ-soaked howler "Cheatin' Blues" or the subtler, but no less suspicious, "I Smell Smoke." Despite nearly being eligible for Social Security, the rail-thin Winter still opens ...
| | Sharaab Evolution CD (2007)
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| | Backstage With Torrey Hall CD (2008)
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BACKSTAGE WITH TORREY HALL“He's a man with a musical soul!”, exclaims world renowned entertainment icon Tony Sandler, in remarks about Torrey Hall.We think you’ll agree with that accolade from Sandler, after listening to Hall’s artistry at the piano.When he was yet but two months old, Torrey’s mother took him to a classical symphony concert, remarking later that "whenever the orchestra played a series of melancholy chords of rich color, the small child would begin sobbing as if his little heart were breaking." Other audience members also took notice of it and later concurred with his mother that indeed, the baby boy was a musician at heart.Trained as a classical artist by the nation's best pedagogues and pianists, Mr. Hall began playing piano in public at age four. His early teachers quickly noticed his witty improvisations in jazz chording, rhythms, and progressions, using simple tunes and melodies, which they encouraged.Over the years, Torrey has performed throughout the United States in recitals, concerts, and other music venues. He has appeared at theaters, jazz clubs, colleges, universities, and religious institutions including churches and synagogues. He has performed on radio and television, and has played for prominent dignitaries and heads of state in Washington, DC and Israel. In 1992 he performed for prime minister Yitzhak Shamir in Jerusalem, an internationally televised event.While many artists cling to one music genre, Torrey seems as much at ease with classical or sacred / ethnic repertoire as he is playing jazz standards and Broadway show tunes. Noting his height at 6'2" tall, one of Juilliard’s elite pianist alumni / clinicians Dr. David Kaiserman, said that when Torrey plays, “he should be able to shake the foundations of a building.” You’ll sense that keyboard power in this newly released CD from Torrey. Songs like CLIMB EVERY MOUNTAIN give a glimpse of it. Yet his light artist’s touch remains afloat in songs like LOVE IS HERE TO STAY, his transcription of a Don Shirley arrangement.Torrey’s personality surfaces in his own piano works on this album. You’ll catch his humor in LUNCH HOUR, his jazz pulse in CHARADES, or his retrospection in BLUE CAROUSEL, a seemingly endless round of progressions that continue to resolve again and again.Reflecting upon the pianist who held most influence upon his growing musical mind, the artist defers to the incomparable Don Shirley, whom Torrey borrows from on the Gershwin tunes, using some intro’s and one transcribed Shirley arrangement.Following a long hiatus from both piano and public performance while raising his two musically gifted sons, Jared and Jordan, Mr. Hall has finally returned to the stage, sharing his large musical ...
| | Mick Fleetwood Blues Band Blue Again! CDs (2009) Import
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UK pressing features a bonus disc with four additional tracks, Albatross (included on the US single edition), Napili Nocturne, The Supernatural and La Mer D'Amour. Mick Fleetwood, the iconic co-founder of Fleetwood Mac, is celebrating his blues heritage with his new band, The Mick Fleetwood Blues Band. As well as their own material, the band pays tribute to the original Fleetwood Mac, the all-male blues band that started it all in 1967. Bringing together four stellar Blues and Rock musicians, Mick Fleetwood presents a live album which is as current as it is nostalgic. At the front of the group is Rick Vito, veteran Bluesman and former Fleetwood Mac vocalist and lead guitarist. Rick adds his personal touch while staying true to the styling of early Fleetwood Mac front man Peter Green. "A lot of guys can play the licks but Rick has the tone and that's so important in real blues," says Mick Fleetwood. With Fleetwood anchoring the band on percussion, the "other half" of the rhythm section is Lenny Castellanos on bass guitar. As Mick points out, "I've played with John McVie for 40 years, any bassist who plays ...
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