| | Juliana Aquino Disco Meets Bossa CD - Import Juliana Aquino Discography of CDs
Think BEBEL GILBERTO MEETS NOUVELLE VAGUE!! For DISCO [meets] BOSSA, Juliana Aquino has collected her own personal versions of eleven great hits from the late 1970s and early 1980s. Produced by (husband) TUTA AQUINO, who has worked for the ... Full Descriptionlikes of MADONNA, JANET JACKSON and DURAN DURAN, she has rearranged numbers including Stephanie Mills' "Never Knew Love Like This Before" and John Paul Young's "Love Is In The Air" in a spectacular, sophisticated way. Classic disco super hits get a considerable slice of Brazilian flair. The band includes such impressive Brazilian musicians as singer WILSON SIMONINHA, guitarist and songwriter CELSO FONSECA and saxophonist LEO GANDELMAN. 11 tracks also including Stayin' Alive (Bee Gees), I Will Survive (Gloria Gaynor), On The Radio (Donna Summer), Love Is In The Air (John Paul Young) and more. Hide Description Disco Meets Bossa Music | List Price | $38.99 (You save $2.20) | | Category | Rock/Pop Albums | | Label | Phantom | | CD Universe Part number | 7613166 | | Discs | 1 | | Release Date | Feb 05, 2008 | | Additional Info | Import |
Juliana Aquino Disco Meets Bossa Songs | 1. | Don't Let me be Misunderstood (orig. Santa Esmerada) |
| 2. | Don't Leave me This Way (orig. Thelma Houston) |
| 3. | Staying Alive (orig. The Bee Gees) |
| 4. | Love is in the Air (orig. John Paul Young) |
| 5. | I Will Survive (orig. Gloria Gaynor) |
| 6. | I'm Every Woman (orig. Chaka Khan) |
| 7. | Can't Take my Eyes off of You (orig. The Boys Town Gang) |
| 8. | On The Radio (orig. Donna Summer) |
| 9. | Never Knew Love Like This Before (orig. Stephanie Mills) |
| 10. | I'm so Glad That I'm a Woman (orig. The Love Unlimited Orchestra) |
| 11. | Could It Be Magic (orig. Donna Summer) |
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Disco Meets Bossa Review
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Nilia Berkin has been pounding piano keys from the tender age of four, when she started her classical training. Like many others before her, she felt a great relief when she finally found the courage to quit the forced lessons and become a normal booze-swilling, class-skipping teenager. Still, music was never very far away as choral singing soon replaced her first instrument and continued on for many years.At the end of university, she tagged along to a friend’s rehearsal space to watch his band. “I was instantly mesmerized,” she recalls, “I kept thinking, ‘wow, this reminds me of Iggy Pop’, yet I’d never even seen him before. I knew I had to join this group.” By the end of the month, she had joined Les Poupées Gonflables as background singer and center stage dancer. “I wasn’t really doing too much up there but I got to wear go-go boots and be in a rock band. It’s everyone’s fantasy, really.” After playing Montreal and the Quebec region for a number of years, band members went their separate ways. “In the final months I was dead—set on being a guitar player but the band already had three of them and really needed a bassist. Everything became a lot harder for us and I just wanted to write songs on my new acoustic.”Fast forward two years and Nilia found herself immersed in piano playing once again but this time under the tutelage of Montreal jazz pianist, Lorraine Desmarais. “I studied with her for two years. She was such a dynamo and a real musical force and I could barely remember any of the voicings she taught me. I had to write everything down and was by far the slowest in the class.” Nevertheless, Desmarais had enough faith in Nilia to offer her cocktail gigs around the city. She would find herself frequently performing as a duo with partner-in-crime guitarist, TJ Plenty (the Asexuals). In 2000, she met a local agent who booked her a 3-month cocktail pianist gig in Matsuyama, Japan. “I was worried about all the wrong things before going,” she remembers, “I thought it would be hard to play but in the end, it was the isolation that got to me. It was a bit like the movie Groundhog Day: waking up and doing the exact same thing for a hundred days. Still, it was a beautiful country and a great professional experience.”Upon her return she started writing songs for her new album. “I knew it was something that I had to do so I just sat down every morning for half a year until I had 12 songs. I’d think about the lyrics while walking my dog, Beast. We’d wander around endlessly sometimes; me, just mumbling to myself like a lunatic while he took a half an hour to sniff a snowbank. Those walks served a huge purpose for both of us.”Whirlwind is Nilia’s debut album and an intensely intimate work. “The songs are mostly little musings on my view of the world and question what happens in the spaces that we can’t see. Where do we go ...
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