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Coe, David Allan - Penitentiary Blues CD Cover Art
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David Allan Coe Penitentiary Blues CD

 David Allan Coe Discography of CDs


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David Allan Coe is perhaps the most frustrating figure in the history of country music. An undeniable talent who has written some of the most sensitive and gripping `70s country ballads this side of Townes Van Zandt and some of the most rabble-rousing outlaw recordings, Coe also phoned in cloying cheese and, more repugnantly, subsidized his sometimes flagging career with unofficial recordings of extremely racist material.

The latter fact is what makes PENITENTIARY BLUES so oddly compelling. This is not a country record, not even remotely. Rather Coe emerged from his time in an Ohio penitentiary playing full-on, African American-influenced electric Chicago blues. Hearing Coe yowl clichés like "sho' `nuff make you lose your mind" can be off-putting, to say the least, if not stomach-turning. Political correctness aside, though, Coe--perhaps toughened by his time in the clink--does lend a believable grit to this material and for the most part pulls it off. Completists will rejoice, but neophytes are advised to stick with his fantastic mid-70s outlaw albums.

David Allan Coe is widely known as one of the poster boys for 1970s Outlaw Country, and on PENITENTIARY BLUES, his debut album, Coe's patented bad-boy image was already fully formed. Musically, however, he was entrenched firmly in an urban blues mode, as opposed to the honky-tonk infused sound of his best-known albums. Nevertheless, his lyrics espouse his trademark themes of prison, trouble, and hard living.

Personnel: David Allan Coe (vocals); Teddy Paige (guitar, harmonica); Mac Gayden, Charlie McCoy (guitar, bass guitar); Ed Kollis (harmonica); David Briggs (piano); Billy Linneman, William C. Sanders (bass guitar); Kenneth Buttrey, Karl Himmel (drums).

Recording information: Singleton Sound Studios, Nashville, Tennessee.

Uncut (p.127) - 3 stars out of 5 - "[T]hese songs rail like the spooked soul of a man with nothing left to lose."
Mojo (Publisher) (p.130) - 3 stars out of 5 - "[T]he record makes its mark, raw and rugged, and punctuated with bouts of crazy loon laughter."
Penitentiary Blues Music


Detailed Penitentiary Blues Music Information



Category Rock/Pop Albums, Country CDs, Blues, Chicago Blues, Outlaw Country
Label Hacktone
Orig Year 1968
All Time Sales Rank   134169  
CD Universe Part number 7615774
Discs 1
Release Date Feb 26, 2008
Studio/Live Studio
Mono/Stereo Stereo
Producer Shelby Singleton Jr.; Teddy Paige; David Allan Coe (Reissue)
Engineer Joe Venneri
David Allan Coe Penitentiary Blues Songs


David Allan Coe Penitentiary Blues Album Track Listing



1.Penitentiary Blues
2.Cell #33
3.Monkey David Wine
4.Walkin' Bum
5.One Way Ticket To Nowhere
6.Funeral Parlor Blues
7.Death Row
8.Oh Warden
9.Age 21
10.Little David
11.Conjer Man
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Steve HansonLincoln’s Homegrown MusicianFrom an early age Steve Hanson was instilled with a love of music. He would fall asleep to the sounds of his mother playing classical piano at their home in Lincoln, Nebraska. He also remembers sneaking down the stairs to listen to his father’s jam sessions. Trained as a journalist, his father was also a self-taught jazz musician who played piano, clarinet, and saxophone.So it was natural for Steve at the age of 13 to start playing music. He picked up his brother’s guitar and almost immediately began performing in folk bands. He also began to research the roots of the folk music he was playing. This led him to the music of the British Isles, old-time Appalachian sounds, the Stanley Brothers, and Earl Scruggs, the pioneer of Bluegrass banjo. Hanson immersed himself in learning this style of banjo. He played in various bands throughout his high school years, including jug bands and Bluegrass bands, and he even landed a job playing lead electric guitar in a 9-piece touring Soul band.While in college, he continued to refine his playing skills. In 1971 he formed the Bluegrass Crusade, which quickly gained much notoriety in the Midwest. The Crusade opened for such notables as Doc Watson, Bill Monroe, and Ralph Stanley. They also won the band contests at the Brownville Fiddle Festival and the Rocky Mountain Bluegrass Festival.Hanson’s playing skills were also beginning to be recognized. He began entering and winning many banjo and guitar competitions in various Midwest festivals. His father’s influence also began to surface at this time. Hanson started to play jazz and swing music and began listening to the recordings of legendary jazz guitarists such as Django Reinhardt and Charlie Christian. He formed the Steve Hanson Trio in order to have an outlet to play this type of music and appeared periodically with legendary jazz violinist, Claude Williams.During this period, Hanson began doing more extensive studio work. He recorded and toured with C. W. McCall, playing on three of his albums and doing all the banjo work in the hit movie, Convoy. He released his own critically acclaimed solo album, Pick And Choose. And in 1979 Steve was the subject of a PBS documentary entitled, Homegrown Bluegrass.In the 1980’s, Hanson continued to be in demand as a studio player in the Midwest. He composed scores for numerous PBS documentaries including Plowing Up A Storm, Keith County Journal, and Back At The Ranch. He also produced a formative CD by singer-songwriter, Brad Colerick, a Nebraska native now living in Los Angeles. His association with Colerick led to a couple of high-profile “jingles” he wrote and recorded for Sears and International House of Pancakes.In 1992, Hanson and two friends decided to go to the Telluride Bluegrass Festival as ...
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