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Recorded live in June 1971 in Montreux, Switzerland. Long considered a fan favorite of Larry's fusion period. This recording will melt the paint off your walls. This album is incontrovertible proof that Larry Coryell is more than worthy of a ... Full Descriptionseat in the
Personnel: Larry Coryell (guitar); Chuck Rainey (bass instrument); Bernard Purdie (drums).
Hide Description Larry Coryell Fairyland Songs | 1. | Souls Dirge |
| 2. | Eskdalemuir |
| 3. | Stones |
| 4. | Further Explorations for Albert Stinson |
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| Miles Davis Cellar Door Sessions 1970 CDs (2005) Remastered; Box Set; Special Edition
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Contains previously unreleased material. Some of the recordings on the CELLAR DOOR SESSIONS were originally released in edited form on the 1971 double-LP LIVE EVIL.
There is an entire universe contained in this box. Sumptuously packaged and scrupulously annotated, CELLAR DOOR SESSIONS 1970 is a six-disc set that documents Miles Davis's extended residency at the Washington, D.C., club. Davis is backed by a group of genius musicians: keyboardist Keith Jarrett, drummer Jack DeJohnette, bassist Michael Henderson, saxophonist Gary Bartz, percussionist Airto Moreira and guitarist John McLaughlin (who appears only on the last two discs). Together they pioneered an ecstatic fusion of jazz, rock, funk, and abstract sound-painting that established the blueprint for the future of progressive music.
Each disc contains a different live set, and while songs are often repeated across the set lists, no two tracks sound the same. The players improvise at a fever-pitch, pushing themselves to endless invention, and the ensemble's interplay--expressionistic, protean, and fierce--is near telepathic. The influence of rock artists like Sly Stone and Jimi Hendrix can be heard in the layering of deep funk rhythms and psychedelic inflections (especially with Miles's wah-filtered trumpet), but the overall sound seems to subsume and transcend the entire history of 20th century ...
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Given Carlos Santana's late-career partnerships with everyone from Rob Thomas to the Black Eyed Peas, it's sometimes hard to remember that his band was a product of San Francisco's late-'60s psychedelic rock scene. While the band's music represents the wide-open aesthetic of that milieu, it also dates much better than other music of the time, in large part because of its groove-oriented accessibility and the formidable skills of the musicians. SANTANA III holds up particularly well, and sounds not a whit out of place in the mashed-up, multi-culti 2000s. The 35th Anniversary Deluxe Edition features remastered sound and a bonus disc of Santana performing live at San Francisco's Fillmore auditorium in 1971.
Following on the heels of Santana's 1970 breakthrough, ABRAXAS, 1971's SANTANA III is teeming with the eclectic mix of rock, blues, jazz, R&B, and Latin rhythms for which the band is known. Though somewhat more jam-oriented ...
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With a huge cast of accompanists including John McLaughlin, Chick Corea, Bernard Purdie, and many more, Davis definitively transcended the jazz template and fully embraced a new form that incorporated jazz, rock, funk, and the avant garde, but was truly its own beast.
Eschewing harmonic/melodic development, these tracks are powered by shifts in dynamics and texture over percolating grooves, and would prove hugely influential to hip-hop, dub, electronica, and more, for decades to come. By including outtakes and full versions of edited tracks, this collection finally lets the layers of Miles and producer Teo Macero's complex tapestry unfold with the proper breathing room, making it clear why what was initially one of Miles' worst-selling albums would eventually be regarded as a high-water mark even he would never surpass.
In a sense, the 1972 release ON THE CORNER was the culmination of what Miles Davis had been working towards since 1969's IN A SILENT WAY, where he began experimenting with a full-on electric ensemble and moving beyond straight-ahead jazz. THE COMPLETE ON THE CORNER SESSIONS, boasting six discs and a wealth of previously unheard music, shines a light on just how groundbreaking these sessions were.
Complete On The Corner Sessions CD
Personnel: ...
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Keyboard virtuoso Uri Caine is one of those musicians who seems to be everywhere at once, appearing as a session man on countless projects. Yet Caine also fronts and records regularly with his own ensemble, and 2008's THE OTHELLO SYNDROME, based on the Shakespeare play, provides a fine cross-section of the group's efforts. Straddling a line between jazz fusion and groove-based pop, ...
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Fairyland 
