| | Othello Syndrome CD - Import Uri Caine Discography of CDs
Keyboard virtuoso Uri Caine is one of those musicians who seems to be everywhere at once, appearing as a session man on countless projects. Yet Caine also fronts and records regularly with his own ensemble, and 2008's THE OTHELLO SYNDROME, based on the Shakespeare play, provides a fine cross-section of the group's efforts. Straddling a line between jazz fusion and groove-based pop, Caine's group, which features a large cast of musicians on winds, brass, electronics, and percussion,in addition to a rotating cast of vocalists, is sleek and accomplished. Some of Caine's other recordings emphasize his adventurousness, but this outing is smooth, accessible, and fun.
Uri Caine: Uri Caine (piano); Nguyen Le (guitar); Ralph Alessi (trumpet); John Hebert (bass instrument); Zach Danziger (drums).JazzTimes (p.81) - "THE OTHELLO SYNDROME is obviously a meticulously crafted piece. While its daring and eclecticism will no doubt spark lively controversy, its heart points up the beauty of Verdi' score." Othello Syndrome Songs | 1. | Othello's Victory |
| 2. | Fire Song |
| 3. | Drinking Song |
| 4. | Love Duet With Othello And Desdemona |
| 5. | Introduction To Act II |
| 6. | Iago's Credo |
| 7. | She's The Only One I Love |
| 8. | Iago's Web |
| 9. | Desdemona's Lament |
| 10. | Am I A Fool? |
| 11. | Lion Of Venice, The |
| 12. | Othello's Confession |
| 13. | Willow Song/Ave Maria, The |
| 14. | Murder |
| 15. | Death Of Othello, The |
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Purchase Othello Syndrome CD To buy, Click on price to add to cart | Dave Holland Extended Play: Live At Birdland CDs (2003)
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EXTENDED PLAY was nominated for the 2004 Grammy Award for Best Jazz Instrumental Album.
With a front line that features saxophone, trombone, and vibraphone/marimba, the Dave Holland Quintet features an immediately identifiable band sound. As for backing, bassist Holland and traps man Billy Kilson provide a push-me-pull-you, supple and responsive rhythm section that is an embarrassment of riches when it comes to accompaniment ideas.
The thing that separates the men from the boys in the world of jazz improvisation is listening--when the performers are paying close attention to one another, the creative horizons are all but limitless. It would be a slight to say this quintet is all on the same page, better to imagine they all bring their knowledge of great art and fine cuisine to bear each time they play together--it's a multi-faceted, heady brew. Holland's compositions are angular but never ...
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Othello Syndrome
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A true collaborative effort, BOW RIVER FALLS features playing, composing, and arranging by trumpeter Dave Douglas, clarinetist Louis Sclavis, cellist Peggy Lee, and drummer/programmer Dylan Van Der Schyff. Recorded during Douglas's residence at the Banff Jazz Workshop in Alberta, Canada (where the other musicians were guest faculty), the session was cut in an afternoon with minimal rehearsal, so a feeling of spontaneity prevails. The music, atmospheric and free, is full of vigorous instrumental interplay and expressionist gestures.
The opener, Steve Lacy's "Blinks," has a bop-influenced head that gives way to a chorus of anthropomorphic squeals and bleeps. This pattern is seen elsewhere--melodic fragments intertwine with open, spacious structures, ...
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One of the most beautiful jazz discs of the 1970s remains CRYSTAL SILENCE, a 1972 collection of inspired, melodious duets by vibraphonist Gary Burton and pianist Chick Corea. In 2007, the two masters revisited their earlier triumph with the two-disc THE NEW CRYSTAL SILENCE. Disc one finds the duo in an orchestral setting, recorded live in Australia with the Sydney Symphony Orchestra. While performing with a full orchestra might seem to defeat the purpose of a duet, it works out remarkably well. Since the `60s, both Burton and Corea have been crossover/fusion experts, and the subtle, well-thought-out ...
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From his wiry, Eastern-influenced solos on Miles Davis's BITCHES BREW through his world fusion forays with the Mahavishnu Orchestra and Shakti, guitar virtuoso John McLaughlin has always shown a keen interest in Indian music. Some 40 years into his career, that influence still holds sway, as 2009's FLOATING POINT attests. Though the synth guitar and polished production make the album less edgy than some of McLaughlin's work from the 1970s, ...
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