| | Shot X Shot Let Nature Square CD Shot X Shot Discography of CDs
Recording information: Music Annex, Philadelphia, PA (10/15/2007).
Shot X Shot: Dan Scofield (saxophone, alto saxophone); Bryan Rogers (saxophone, tenor saxophone); Matt Engle (bass instrument, bass guitar); Dan Capecchi (drums).
JazzTimes (p.108) - "These four young upstarts embrace the diametrically opposed concepts of composition and chance music in their freewheeling jams..." Shot X Shot Let Nature Square Songs | 1. | Scans |
| 2. | Triple Double |
| 3. | Overlay |
| 4. | Oh No |
| 5. | Autobonsai |
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Let Nature Square Review
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Purchase Let Nature Square CD To buy, Click on price to add to cart | Jazz Icons Series 4 Box Set DVDs (2009)
Let Nature Square
 $101.39  
Standard Screen
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| | Carl Saunders Out Of The Blue CD (1995)
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OUT OF THE BLUE - released in 1996, was the first in a series of albums to feature Carl Saunders as leader. The popular L.A. based trumpet player has a long history of major performance to match his recording discography. With the Grammy award winning bands including Bob Florence he is featured as a jazz player, and on the Bill Holman band plays only lead or 1st trumpet. OUT OF THE BLUE is the first ever recording to be awarded 5-stars in all four categories by the prestigious International Trumpet Guild. This recording also has features not previous found when listening with headphones as particular attention was paid to stereo spacing – such as notes on the piano keyboard during a solo, or the individual 5-trumpets sound as they were recorded to a point in space where each part can be separately identified. OUT OF THE BLUE highlights Carl’s versatility moving from traditional bebop to the classical Chopin’s “Minute Waltz” (Valtz Opus 64 #1) which, incidentally, each chorus can be measured in much less than a minute! Carl’s composition and arranging skills range from the traditional quartet setting with Roger Kellaway, (piano) Buster Williams, (bass) Santo Savino, (drums) to the sextet when adding Jerry Pinter (tenor sax) and Andy Martin. (trombone) ...
| | James Coberly Smith Cocomo CD (2001)
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He wasn't made for these times.But the 21st century is damn lucky to have a guy like him around.Because he writes and performs songs that belong to the ages; when they swing, they swing with the authority of real swing.When they're blue, they're about the deepest darkest blue you're going to hear.And when they're happy, the happiness is real, and it's infectious. So much of the music of modern times is about using mechanical means to imitate sounds, to make what isn't real seem like it is.His music is anything but that.In fact, it's the exact opposite.It's about the timeless truth.It's about what's real: real people and real love and real voices singing real harmonies with real acoustic guitars and piano and percussion and hands clapping, and nothing is programmed here, and nothing is fake. I remember the first time I heard him.It was in the black & white corridor of an old, haunted office building on Hollywood Boulevard, just down the hall from where Philip Marlowe should have had his office, if he didn't.And there stood Coberly, a happy man in a big hat with an old black 12-string strapped around his shoulders.And he started playing.Only he didn't just play this song, he inhabited it.And maybe I just imagined this, but as things started heating up I'm pretty sure I saw some blue smoke curling off the strings of his guitar, and I also think at one point I actually saw him bend back the neck of his guitar like it was a willow tree while cooking up an astounding, bluesy frenzy, working that slide of his and getting that great silvery sheen of metal on steel.And I could swear I saw blue sparks flying from his fingers as strangers started emerging from behind previously closed doors to find out what all the hubbub was about, and soon they were swinging right along with him and clapping their hands, and I can't be sure of any of this, but I know I'm not the only one who felt that entire building rotate at least once before it all was over.And for weeks, people throughout this building could be heard asking each other, "Hey! Who was that guy in the hat? That guy with the 12-string -- Who was that guy?" It's a question I'd encounter many more times, as I'd hear him play in assorted clubs and cafes throughout the greater and lesser Los Angeles region: "Hey! Who was that guy in the hat?" And I would tell them.He goes by the name James Coberly Smith.Born and raised in Racine, Wisconsin, not far from Green Bay.A virtuoso 12-string slide-guitarist.And a very funny, jovial fellow. And that's who I thought he was.And I wasn't wrong, but I didn't have the whole picture.Because for the first many times I heard him play, he played only instrumentals, and so I had no idea what a fine songwriter and singer he was.It was at one of Jeff Gold's great Sunday afternoon song-circles and pasta-fests a few years back that I first heard one of his songs."Valley Of The Kings." And the room went silent.And instantly he inhabited the song, just as he'd inhabited that instrumental the first time I heard him.And every note he sang, and every note he played on the guitar, and every word, was right. And then I heard some of the other songs.Beautifully sad ones.Bright, whimsical ones.Deeply romantic ballads like "If You ...
| | Rory Gallagher Jinx CD (2000)
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| | Gil Evans Jazz Profiles CD (2008) (Import)
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One of jazz's most celebrated arrangers and composers, Gil Evans recorded for many labels during his 50-plus years in jazz. His Columbia and RCA periods were long and particularly fruitful ones because of the musicians he surrounded himself with. While it's true that his collaboration with Miles Davis is the most celebrated and well known, some of the other players who appeared on Evans' own records were Billy Harper, Jerome Richardson, Tony Williams, David Sanborn, Peter Gordon, Lee Konitz, Johnny Coles, Lew Soloff, Julius Watkins, Elvin Jones, Ryo Kawasaki, and dozens more. This 13-cut collection represents Evans' pioneering arrangements and interpretations of everything from standards (George Gershwin's "My Man's Gone Now," and the "King Porter Stomp") to his experiments with Davis in orchestral ...
| | Ted Heath Decca Singles & Rarities Vol. 4 CD (2007)
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| | Grant Green I Want To Hold Your Hand CD (2008) (Import) Japan
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RVG NEW MASTER
| | Hat Shoes Differently Desperate CD (1991)
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