| | Soundgarden A Sides CD - Import Soundgarden Discography of CDs
Japanese only SHM-CD (Super High Material CD - playable on all CD players) pressing. Universal. 2008. A Sides Review
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Purchase A Sides CD To buy, Click on price to add to cart | Flaming Lips Embryonic CD (2009)
A Sides
 $11.18    
CHRISTMAS ON MARS might be the Flaming Lips' bona fide sci-fi epic, but EMBRYONIC is the musical equivalent of the final scenes of 2001: A SPACE ODYSSEY: transformative chaos that results in a new start. From THE SOFT BULLETIN onward, the Lips seemed focused on tidying the loose ends of their earlier work, almost to the point of constraining themselves. Their wilder side is unleashed on Embryonic's 18 tracks, and the band sounds more off-the-cuff than it has in years -- some tracks are barely longer than snippets, others are rangy epics, and it all holds together so organically that listeners might wonder just how much these songs were edited. Musically, EMBRYONIC is the least polite the Flaming Lips have been in nearly two decades, mixing in-the-red drums, blobby, dubby bass, squelchy wah-wah guitars, and sparkling keyboards into a swirl of sounds that are strangely liquid and abrasive at the same time. Occasionally, the band uses noise in an almost ugly way, as on "Convinced of the Hex," which scrapes eardrums with static and distortion before ...
| | Pelican What We All Come To Need CD (2009)
A Sides
$11.18
One had to wonder what Pelican's signing to Southern Lord could possibly mean. To be truthful, while the band ...
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A Sides
$11.35 
If there was any flaw with Brandi Carlile's second album, THE STORY, it's that it was perhaps a touch too austere, painted in amber tones by producer T Bone Burnett. Its 2009 sequel, GIVE UP THE GHOST, opens up and breathes, perhaps partially due to swapping T Bone for Rick Rubin, who retains the spooky, serious vibe but ...
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| | Bowing Cafe Mars CD (2003)
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Village Voice Review by Kyle Gann - "Martha Mooke and Randy Hudson, who call their duo Bowing, aimed at a smoother blend. Mooke, who played solo for the first half, used to play a blue electric viola and now plays a red one, but the striking contrast with her white hair remains the same. By looping and pitch-bending herself via foot pedals she creates an entire string quartet without assistance. This means that all of her music turns on the device of the ostinato, the repeating loop, though when she wants to, she can so obscure that device that we don't notice it. Joining her on electric guitar, Hudson relied more on delay units, setting up textures ofquickly repeating figures that blended with Mooke's ostinatos. Bowing's music, and Mooke's ...
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