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Graham, Larry - Victory CD Cover Art CD music music CDs songs album

Larry Graham Victory CD

 Larry Graham Discography of CDs

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Arrangers: George Duke; Larry Graham; Charles Calello.

Personnel: Larry Graham (vocals, guitar, keyboards, drums, background vocals); Paul Jackson, Jr. , Arthur Adams (guitar); Don Palmer, Reginald Hill, Carroll Stephens, Dixie Blackstone, Robert Sushel, Karen Jones (strings); Dick Hyde, Jerry Hey, William Reichenbach (horns); George Duke (piano); Dean Gant, Len Ron Hanks (keyboards); John "4 Daddman" Robinson (drums); Eddie "Bongo" Brown (congas); Paulinho Da Costa (percussion); Tina Graham, Darric Graham (background vocals).

Recording information: The Music Machine Recording Studio, Los Angeles, CA.

Victory Music


Detailed Victory Music Information



List Price $12.97 (You save $2.62)
Category R&B Albums, Soul/R&B CDs, Funk
Label Collectables
Orig Year 1983
All Time Sales Rank   181543  
CD Universe Part number 7667586
Discs 1
Release Date Apr 29, 2008
Studio/Live Studio
Mono/Stereo Stereo
Producer Larry Graham; Charles Calello
Engineer Kevin Douglas Wright; Darric Graham
Personnel Paulinho Da Costa - percussion
Paul Jackson Jr.
Jerry Hey
George Duke - piano
John "4 Daddman" Robinson - drums
Eddie "Bongo" Brown - congas
William Reichenbach - horns
Dick Hyde
Arthur Adams - guitar
Larry Graham - vocals, guitar, keyboards, drums, background vocals

List all 20 contributors
Larry Graham Victory Songs


Larry Graham Victory Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.Just Call My Name
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Don't Think Too Long
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.I Never Forgot Your Eyes
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Movin' Inside Your Love
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.You've Been
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.I'm Sick and Tired
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.Baby
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.I'd Rather Be Loving You
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample9.Victory

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Nicolette Larson's final album for Warner Bros., All Dressed Up & No Place to Go, got her a fair amount of airplay and TV exposure, thanks to her hit version of "I Only Want to Be With You" -- a fairly daring move, considering that the Bay City Rollers had also charted with it as a single not too many years before. Larson's version is sparked by some pleasing guitar ornamentation by Andrew Gold and some achingly beautiful backing vocal flourishes on the fade, and only the '80s drumming sound dates it today. She attempted to make the jump from country singer to pop diva here, especially on "Just Say I Love You" and "I'll Fly Away (Without You)," and somehow it didn't take. The album isn't as strong as it might've been, and part of the problem involves the production, ...
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By the late '70s, Sly Stone wasn't nearly as popular or as visible as he had been in the late '60s and early '70s. But his former bassist Larry Graham was still going strong. Released in 1979, Star Walk was the last album that Graham would record with Graham Central Station for quite some time; in 1980, the influential singer/electric bassist officially became a full-time solo artist and soared to the top of the R&B charts with his debut solo single, "One in a Million You." And not until 1998's GCS 2000 would ...
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As the leader of Graham Central Station, Larry Graham was responsible for some of the nastiest, grittiest, most gutbucket funk of the 1970s. But when he launched a solo career with 1980s One in a Million You, the singer/electric bassist surprised the R&B world by emphasizing ballads. And if anyone doubted that Graham's fans wanted to hear him doing a lot of romantic crooning, their fears were put to rest when this LP's sentimental title song ...
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Sooner Or Later
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Live At Max's Kansas City
Troggs Live At Max's Kansas City CD  (1981)

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CD $13.15
The 12 tracks that make up the Troggs' Live at Max's Kansas City show the band in great underground form. This is actually the best environment for Reg Presley and his ensemble to tape a performance -- and Peter Crowley's production makes for a very enjoyable listening experience. "Got Love If You Want It" and "(I Can't Get No) Satisfaction" rip. The mellow "Love Is All Around" makes its transition from pop radio classic to a club fave a dozen or so years later. "Give It to Me" is passionate and grungy, with Paul Wycliffe's engineering a bit more in control than Bridget Polk's cassette player capturing the Velvet Underground. There's no date of recording, or even band lineup on the album jacket, just a 1979-1980 copyright on the disc itself. There's a solid rendition of Rufus Thomas' "Walking the Dog," with far more punk than Aerosmith or the Rolling Stones would muster on each of their debut LPs. The guitar is sizzling, and who cares that he misses the cue as Presley is concluding the tune? It is a loose set at a New York bar, and it is authentic. Chuck Berry's "Memphis and "No Particular Place to Go" get the Troggs treatment, and it's a far cry from Johnny Rivers' chart debut. "Wild Thing" comes off as the garage rock classic that it is; in fact, this rendition bares the soul of the song, yielding all the reasons that punks and new wavers revere both it and the Troggs. "Gonna Make You" is a home run, and it shows why Reg Presley rules as The King at small venues around the world like Max's Kansas City. An excellent document of an important group. ~ Joe Viglione The 12 tracks that make up the Troggs' Live at Max's Kansas City show the band in great underground form. This is actually the best environment ...
Voyager Series: Art Of The Bellydance
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No Heroes
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Legends Of The Saxophone
Sonny Stitt and Red Holloway Legends Of The Saxophone CD  (2008)

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CD $16.45
This session was recorded live in 1979 at a now de-funk night club called Christos in downtown San Francisco. The crowd was treated to an old fashioned jam session featuring Sonny Stitt and Red Holloway with the local rhythm section comprised of the Bay Area's best, Ed Kelly on piano, William "Smiley" Winters on drums and Harley White Sr. on bass. When Stitt was asked why he was touring with another saxophonist he replied; "I have to have something to chew on". While both where playing tenor saxophone Red Holloway was heard to reply; "Every time I cut you, you go to that alto"Everyone was treated to a rare musical opportunity to hear history being played. The CD is the real deal when it comes to bebop classics. "ENJOY" Harley White Sr. Edward "Sonny" Stitt, born February 2, 1924 in Boston, died July 22, 1982 in Washington, D.C. Played alto, tenor and baritone saxes and recorded, according to most counts, more than 150 albums. Although disparaged early in his career as a mere imitator of Charlie Parker, he outlived Bird by more than 25 years and left a recorded legacy the equivalent of only a handful of saxophonists. He played more tenor saxophone during the '50s to more greatly distance himself from Bird, and his statements on tenor reflect a heavy influence of Lester Young.

He influenced musicians as diverse as Frank Foster, Booker Ervin and Ken Peplowski, according to their own accounts. Famous for his participation in major "cutting" sessions with everyone, he was well known for his ability to play quickly and accurately ...

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