| | Danny Aiello Live From Atlantic City CD Danny Aiello Discography of CDs
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Issued in 2008, LIVE FROM ATLANTIC CITY is the follow-up to actor Danny Aiello's '04 full-length studio debut, I JUST WANTED TO HEAR THE WORDS, a collection of pop/jazz standards. Although this concert reveals that Aiello isn't a powerful vocalist, his laid-back delivery and mellow tone work nicely on many of these classics, particularly on his breezy version of "I'm Gonna Sit Right Down and Write Myself a Letter." Live From Atlantic City Music Danny Aiello Live From Atlantic City Songs Live From Atlantic City Review
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Purchase Live From Atlantic City CD To buy, Click on price to add to cart | Sunshine Boys DVD (1975) Widescreen; Dubbed; Subtitled
Live From Atlantic City album
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Neil Simon's comedy is filled with sparkling dialogue, featuring the comic genius of Walter Matthau and George Burns. When ABC decides to do a special on the history of comedy, they call on the famous vaudeville team of Lewis & Clark. However, the two aging comedy ...
| | Michael Buble Crazy Love CD (2009)
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Buoyed by the popularity of the hit contemporary pop ballad "Home," singer Michael Bublé's 2005 album, IT'S TIME, clearly positioned the vocalist as the preeminent neo-crooner of his generation. Easily the singer's most stylistically wide-ranging album so far, 2009's CRAZY LOVE is also one of his brightest, poppiest, and most fun. Bublé kicks things off with the theatrical, epic ballad "Cry Me a River" and proceeds to milk the tune with burnished breath, eking out the drama line by line. It's over the top for sure, but Bublé takes you to the edge of the cliff, prepares to jump, and then gives you a knowing wink that says, not quite yet -- there's more fun to be had. And what fun it is with Bublé swinging through "All of Me," and killin' Van Morrison's classic "Crazy Love" with a light and yearning touch. And just as "Home" worked to showcase Bublé's own ...
| | Bob Dylan Christmas In The Heart CD (2009)
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After the initial shock fades, the existence of CHRISTMAS IN THE HEART seems perhaps inevitable. After all, the thing Bob Dylan loves most of all are songs that are handed down from generation to generation, songs that are part of the American fabric, songs so common they never seem to have been written. These are the songs Dylan chooses to sing on CHRISTMAS IN THE HEART, a cheerfully old-fashioned holiday album from its Norman Rockwell-esque cover to its joyous backing vocals. Apart from the breakneck "Must Be Santa," which barrelhouses like a barroom, Dylan doesn't really reinterpret these songs as much as simply play them with his crackerjack road band, dropping in a little flair -- restoring ...
| | Trans-Siberian Orchestra Night Castle CDs (2009)
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NIGHT CASTLE appears just in time for the big 2009 holiday season but don't be fooled: this isn't a Christmas album, even if it's sonically indistinguishable from Trans-Siberian Orchestra's other seasonal releases, and the fact that it's been dubbed "Capra-esque" certainly brings it within the realm of the season. NIGHT CASTLE brims with all the drama, pomp, and circumstance of Trans-Siberian Orchestra's other records but channeling these traits through a newly created narrative does have the effect of hearing it in a somewhat new light, shifting the focus entirely to the band's attack, not melody. Still, there's not that much new here ...
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| | Classic Piano Blues From Smithsonian Folkways CD (2008)
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Folkways might be most known for recording traditional folk and ethnic music, but the label did cut a good deal of blues and jazz while it was in operation. Classic Piano Blues has 20 blues songs in which the piano is the most prominent instrument in the arrangement, and while recording dates are not given for all of the tracks, it seems reasonable to assume they roughly span the early '40s to the mid-'70s. A bunch of major names in the blues field are here, including Memphis ...
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| | Instigations Soundtracks For Alternate Realities CD (2008)
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The Instigations, brainchild of composer/multi-instrumentalist Owen Green, has roots that can be traced back to 1979 Los Angeles. In the wake of the punk movement (which some may consider on the down swing circa 1979). Owen, a long time progressive rock enthusiast, got a few of his old friends together to experiment with what could be considered applying a stripped down punk rock damage ethic to progressive rock ideas and vice versa. The result of this incarnation produced several memorable compositions and improvisations including “Aggravated Assault”, a “punk” song written ...
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