| | Fleetwood Mac / Otis Spann Biggest Thing Since Colossus Vinyl LP Record - Import Fleetwood Mac / Otis Spann Discography of CDs
During the sixties, there was the British blues boom, containing many blues bands, one of the finest being Peter Green's Fleetwood Mac. In January of 1969 Fleetwood Mac were at Chess Studios, Chicago, jamming with the likes of Willie Dixon, S.P. Leary, H Biggest Thing Since Colossus Music Fleetwood Mac / Otis Spann Biggest Thing Since Colossus Songs | 1. | My Love Depends On You |
| 2. | Walkin' |
| 3. | It Was A Big Thing |
| 4. | Temperature Is Rising (100. 2 F) |
| 5. | Dig You |
| 6. | No More Doggin' |
| 7. | Ain't Nobody's Business |
| 8. | She Needs Some Loving |
| 9. | I Need Some Air |
| 10. | Someday Baby |
|
Biggest Thing Since Colossus Review
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Purchase Biggest Thing Since Colossus CD To buy, Click on price to add to cart | Roy Buchanan - Live From Austin TX DVD (1976)
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| | Little Walter His Best (Chess 50th Anniversary Collection) CD (1997)
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Few would dispute that this collection is the Holy Grail of blues harmonica. Like the other entries in Chess Records' HIS BEST series, the Little Walter compilation is beautifully selected, sequenced, remastered, and packaged. At 20 tracks, HIS BEST gives a satisfying, economical summary of Walter's genius, and defends his title as the king of blues harp men. As a member of Muddy Waters's band, and on his own, Walter was one of the architects of the original Chicago sound. His propulsive chording, high-leaning notes, inventive use of amplification (he used a close-up hand-held microphone and effects like distortion and echo), and endless stream of ideas expanded the possibilities of the harmonica.
With the help of such Chicago heavy-hitters as pianist Otis Spann, bassist Willie Dixon, and drummer Fred Below, Walter's own group displayed ferocious chemistry and instrumental ...
| | Tommy Castro Hard Believer CD (2009)
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Castro's first album recorded for mighty blues indie Alligator
You might think that Castro's first album recorded for mighty blues indie Alligator--and twelfth overall --would mark a departure for this longtime rocking soulman. But despite a fuller sound, fleshed out with Lenny Castro's percussion and boosted by an ever-present horn section led by longtime cohort Keith Crossan, this is another typically solid effort from the singer/guitarist. Veteran producer/musician John Porter returns to join Castro's strong, husky vocals--a cross between Delbert McClinton, James Brown, and Bob Seger--to a rather slick, radio-friendly approach. It's a marked change from Castro's anything-goes concerts where the songs are tightly rehearsed, yet open for improvisation. Still, when the singer dives into the slow blues of "Backup Plan," all the pieces fit, and Castro's ...
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Gov't Mule's self-titled ...
| | Fats Domino Greatest Hits: Walking To New Orleans CD (2007)
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Following Capitol/EMI's last Fats Domino CD compilation (Fats Domino Jukebox: 20 Greatest Hits the Way You Originally Heard Them) by five years, 2007's Greatest Hits: Walking to New Orleans betters that comp in terms of sheer numbers (as it does 1990s My Blue Heaven) by ten tracks and this is a case when more is indeed more. Ten tracks is enough to offer depth, particularly in his earliest sides but also with a couple lesser-known hits from his rock & roll prime, turning this into a joyous overview of one of the greatest musicians of the '50s. It's nice to have this hit the pre-rock & roll and R&B a bit harder -- "Ain't That a Shame" doesn't roll around 'til track six, then it's another ten before "Blueberry Hill" kicks ...
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A SPACE IN TIME was Ten Years After's biggest commercial success. The reasons are pretty obvious; Alvin Lee's songwriting had improved markedly and there was far more stylistic variety than ...
| | Buck-O-Nine Twenty-Eight Teeth Vinyl LP (1997)
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Imagine that Joe Jackson had a younger brother who grew up listening to the punk and ska music of the late '70s (i.e., the Clash, the Specials), moved to California during the skate punk scene, and formed a band with six of his slacker friends, and you've got a good mental picture of the music on Twenty-Eight Teeth. Buck-O-Nine has the three-minute, get-in-get-out punk/pop aesthetic down to a science, which makes you wonder why they haven't hit it big by now. Surely one well-placed "buzzworthy" clip could have put these guys on the map, except that ska-punk has always been treated as a novelty in this country, and the door was opened just wide enough to let acts like No Doubt and Rancid slip through. Although it's likely little consolation to the band, the lack of commercial success has allowed Buck-O-Nine to stave off maturity, which is a major label's way of sucking the last bit of marrow from a band's vitality. True, Twenty-Eight Teeth is a slight step toward more commercial music for the septet, but the songs move so quickly that you hardly have time to think about it. Winning tunes abound: "Round Kid," "Tear Jerky," "Jennifer's Cold," "Twenty-Eight Teeth," "Record ...
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| | Louis Armstrong Plays WC Handy Vinyl LP (2008) (Import)
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