Bonnie Raitt Songography

Following on the heels of her gold record SWEET FORGIVENESS (with its hit cover of Del Shannon's "Runaway"), THE GLOW finds Raitt paying homage to an interesting cross-section of R&B influences and contemporary songwriters. Songs by Sam & Dave ("Thank ...

On FUNDAMENTAL, Bonnie Raitt trades in the smooth, rich L.A.-sounding production of Don Was for the edgy, reverbless, angular studio approach of Mitchell Froom. Another FUNDAMENTAL difference is that Raitt is writing more of her own material, a trend that's ...

Well into the fourth decade of Bonnie Raitt's recording career, SOULS ALIKE finds the beloved vocalist/guitarist showing no signs of slowing down. In fact, this 2005 album marks the first time that Raitt produced her own record (with assistance from ...

Produced by George Massenburg (Linda Ronstadt) and Bill Payne of Little Feat, LIVES is full of slick '80s production: big-sounding guitars, smooth jazz trimmings and sanitized rhythm arrangements. There are also contributions from some of the biggest pop songwriters of ...

1982's GREEN LIGHTS was Bonnie Raitt's first album of the '80s. On it, her sound took a more mainstream turn away from the blues and R&B normally associated with her music. Instead of interpreting material by Mable John and Sippie ...

Well into the fourth decade of Bonnie Raitt's recording career, SOULS ALIKE finds the beloved vocalist/guitarist showing no signs of slowing down. In fact, this 2005 album marks the first time that Raitt produced her own record (with assistance from ...

On HOME PLATE, Raitt had plenty of superstar help, including appearances by Jackson Browne, John Sebastian, Tom Waits and Emmylou Harris. Her interpretations of Allen Toussaint's "What Do You Want The Boy To Do," and J.D. Souther's "Run Like A ...

On HOME PLATE, Raitt had plenty of superstar help, including appearances by Jackson Browne, John Sebastian, Tom Waits and Emmylou Harris. Her interpretations of Allen Toussaint's "What Do You Want The Boy To Do," and J.D. Souther's "Run Like A ...

Track Listing: Love Sneakin' up on You; Longing in Their Hearts; You; Cool, Clear Water; Circle Dance; I Sho Do; Dimming of the Day; Feeling of Falling; Steal Your Heart Away; Storm Warning; Hell to Pay; Shadow of Doubt;

1982's GREEN LIGHTS was Bonnie Raitt's first album of the '80s. On it, her sound took a more mainstream turn away from the blues and R&B normally associated with her music. Instead of interpreting material by Mable John and Sippie ...

1982's GREEN LIGHTS was Bonnie Raitt's first album of the '80s. On it, her sound took a more mainstream turn away from the blues and R&B normally associated with her music. Instead of interpreting material by Mable John and Sippie ...

Raitt looks directly to her influences on a version of the Martha and the Vandellas' R&B classic "You've Been In Love Too Long," which kicks off the album, then looks further back with an acoustic rendition of Mississippi Fred McDowell's ...

Following on the heels of her gold record SWEET FORGIVENESS (with its hit cover of Del Shannon's "Runaway"), THE GLOW finds Raitt paying homage to an interesting cross-section of R&B influences and contemporary songwriters. Songs by Sam & Dave ("Thank ...

Track Listing: Fundamental Things; Cure For Love; Round and Round; Spit of Love; Lover's Will; Blue For No Reason; Meet Me Halfway; I'm On Your Side; Fearless Love; I Need Love; One Belief Away;

On HOME PLATE, Raitt had plenty of superstar help, including appearances by Jackson Browne, John Sebastian, Tom Waits and Emmylou Harris. Her interpretations of Allen Toussaint's "What Do You Want The Boy To Do," and J.D. Souther's "Run Like A ...

Produced by George Massenburg (Linda Ronstadt) and Bill Payne of Little Feat, LIVES is full of slick '80s production: big-sounding guitars, smooth jazz trimmings and sanitized rhythm arrangements. There are also contributions from some of the biggest pop songwriters of ...

Raitt looks directly to her influences on a version of the Martha and the Vandellas' R&B classic "You've Been In Love Too Long," which kicks off the album, then looks further back with an acoustic rendition of Mississippi Fred McDowell's ...

Though she didn't write any of the material on STREETLIGHTS, Raitt's treatment of songs by the likes of Joni Mitchell ("That Song about the Midway") and James Taylor ("Rainy Day Man") are performed with an authority and nuance that let ...

On FUNDAMENTAL, Bonnie Raitt trades in the smooth, rich L.A.-sounding production of Don Was for the edgy, reverbless, angular studio approach of Mitchell Froom. Another FUNDAMENTAL difference is that Raitt is writing more of her own material, a trend that's ...

Though she didn't write any of the material on STREETLIGHTS, Raitt's treatment of songs by the likes of Joni Mitchell ("That Song about the Midway") and James Taylor ("Rainy Day Man") are performed with an authority and nuance that let ...

Well into the fourth decade of Bonnie Raitt's recording career, SOULS ALIKE finds the beloved vocalist/guitarist showing no signs of slowing down. In fact, this 2005 album marks the first time that Raitt produced her own record (with assistance from ...

On FUNDAMENTAL, Bonnie Raitt trades in the smooth, rich L.A.-sounding production of Don Was for the edgy, reverbless, angular studio approach of Mitchell Froom. Another FUNDAMENTAL difference is that Raitt is writing more of her own material, a trend that's ...

Produced by George Massenburg (Linda Ronstadt) and Bill Payne of Little Feat, LIVES is full of slick '80s production: big-sounding guitars, smooth jazz trimmings and sanitized rhythm arrangements. There are also contributions from some of the biggest pop songwriters of ...

Following on the heels of her gold record SWEET FORGIVENESS (with its hit cover of Del Shannon's "Runaway"), THE GLOW finds Raitt paying homage to an interesting cross-section of R&B influences and contemporary songwriters. Songs by Sam & Dave ("Thank ...

Produced by George Massenburg (Linda Ronstadt) and Bill Payne of Little Feat, LIVES is full of slick '80s production: big-sounding guitars, smooth jazz trimmings and sanitized rhythm arrangements. There are also contributions from some of the biggest pop songwriters of ...