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Remixed to Hell: A Tribute to AC/DC CD (2000)
Pre-Order Now! Available: Tuesday, February 12, 2013
Includes liner notes by Dave Thompson.
Cleopatra's Remixed to Hell: A Tribute to AC/DC is a rather odd proposition: The lead vocalists of '80s metal bands perform covers of AC/DC tunes, which are then remixed by Cleopatra's stable of goth/industrial dance artists. The latter provides the dominant flavor, so AC/DC fans who dislike industrial dance music are advised to steer clear; those open to the hybrid will likely find it intriguing and novel. ~ Steve Huey
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Back In Black CD (1980)
Remastered; Deluxe Edition
After the untimely death of former enigmatic vocalist Bon Scott, AC/DC finally chanced upon a worthy replacement in the shape of former Geordie frontman, Brian Johnson. The result was more than the formal pastiche some expected, with Johnson stamping his own personality, not to mention distinctive rasp, on the record. The band's staple lyrical diet of sex and the general pursuit of happiness, however, remained very much intact. Highlights include the stomping 'Hell's Bells', the quiet build of the title track, and the chuckling insolence of, 'Rock And Roll Ain't Noise Pollution'. A winning return.
AC/DC's 1980 album digitally remastered and reissued in a special digipak plus a 16 page full color booklet containing all original album art, many unpublished photos, classic memorabilia and new 2003 liner notes. Epic.
Audio Mixer: Brad Samuelsohn.
Audio Remasterer: Ted Jensen.
Liner Note Author: David Fricke.
Recording information: Compass Point Studios (04/1980-05/1980).
Photographers: Robert Ellis ; Frank Griffin; Michael Putland; Ross Halfin; Chris Walter; Anastasia Pantsios; Bob Ellis.
AC/DC: Malcolm Young, Angus Young , Cliff Williams , Phil Rudd, Brian Johnson .
Personnel: Brian Johnson (vocals); Malcolm Young, Angus Young (guitar); Phil Rudd (drums).
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Back In Black Vinyl LP (1980)
Remastered
After the untimely death of former enigmatic vocalist Bon Scott, AC/DC finally chanced upon a worthy replacement in the shape of former Geordie frontman, Brian Johnson. The result was more than the formal pastiche some expected, with Johnson stamping his own personality, not to mention distinctive rasp, on the record. The band's staple lyrical diet of sex and the general pursuit of happiness, however, remained very much intact. Highlights include the stomping 'Hell's Bells', the quiet build of ...
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