Black Boned Angel Discography of CDs

Black Boned Angel music CDs Track Listing of songs: Bliss and Void Inseperable;

Black Boned Angel discography Prolific drone artist Campbell Kneale fronts Black Boned Angel, a New Zealand based doom-metal trio whose work explores the punishing, dauntingly repetitive musical territory previously mined by groups like Sleep and Earth. THE ENDLESS COMING INTO LIFE is Kneale's third LP with the group and consists of a single hour-long track that alternates between monolithic slabs of creeping, doom-laden noise and startlingly beautiful ambient passages. Unknown Contributor Roles: Campbell Kneale; James Kirk .

Black Boned Angel songs 2009 release from the New Zealand Art/Alt-Rock band. Sharing a similarly bleak ground to Corrupted, Sunn 0))) and Earth, Black Boned Angel return with their fourth full length album, perhaps their most somber and fully-realized work to date. Riot Season.

Black Boned Angel CD discography Track Listing of songs: Supereclipse I; Supereclipse II; Supereclipse III;

Black Boned Angel albums Similarly bleak as CORRUPTED, SUNN 0))) & EARTH, NZ band return with their 4th album 'Verdun', based around a battle on the Western Front in WWI that claimed 250,000.

Black Boned Angel CD discography It's almost surprising to realize it, but perhaps one of the most defining features of 21st century metal of any stripe has to do with collaboration -- bands and performers now almost regularly join together for one-offs, larger projects, and other joint work across any number of genres or subgenres, an echo of the kind of approach long familiar from hip-hop and jazz. The joint self-titled effort from Nadja and Black Boned Angel is less immediately revelatory than other similar partnerships, but it proves to be an enjoyable alliance regardless, harnessing the acts' propensity for richly detailed, dark atmospherics. Consisting of two lengthy tracks, the album is unsurprisingly engaged most closely with steady atmospheres and slowly unfolding arrangements -- the first full-on feedback roar and riff as such on "I" doesn't kick in until the seventh minute, preceded by little more than a softly repeating guitar chime and buzzing background noise. But the riff and drums add to that feeling of direct focus for a time before dissolving into pure ambient rampage, the metallic screeching of feedback, and drifting dark tones. It all melts slowly into "II," which feels initially like even more of an aftermath to a bomb, deep feedback hum and blasted atmospheres recalling some of the most alien work of Steve Roach or Mick Harris. From there it slowly builds back into another monolithic, majestic riff and release cycle, a huge stomping echo-laden crunch on a distant moonscape before ending on a last groan of noise and final drums. If the album will get more attention for being a collaboration between two known artists than for its own merits, it's still a worthy listen. ~ Ned Raggett