Chris Toppin Discography of CDs

Chris Toppin albums Buffalo Tom's thick, fuzzy guitar sound earned them a rabid cult of admirers, if not huge sales in thelate 1980s/early '90s. After a nine-year layoff, the trio that defined the American college-rock sound, turned out THREE EASY PIECES. While ...

Chris Toppin songs Primarily a novelty item for baseball fans--Red Sox fans especially--NEVER SLOW DOWN, NEVER GROW OLD finds lauded baseball scribe Peter Gammons running through a diverse set of mostly covers and a few originals with help from the likes of ...

Chris Toppin music CDs Tanya Donelly's long-awaited second solo album, coming nearly five full years after her solo debut LOVESONGS FOR UNDERDOGS, owes more to the gauzy, angular dream pop of her days in Throwing Muses than her comparatively mainstream mid-'90s stint as ...

Chris Toppin CD discography Bill Janovitz's first two solo albums, Lonesome Billy and Up Here, saw him deliberately moving away from the hard and hooky rock that was his stock in trade in Buffalo Tom, but with that fine band on hiatus, Janovitz ...

Chris Toppin albums The whole idea behind making a solo album is supposed to be getting the opportunity to make music you couldn't create within the context of your band and, while it's hard to say if it would have been impossible ...

Chris Toppin discography Fuzzy's second album, Electric Juices, is as light as air. It's pleasant girl pop that falls somewhere between the sweetness of Velocity Girl's Simpatico and the grunge pop of Veruca Salt's American Thighs. Repeated listens fail to elicit significant ...

Chris Toppin CD discography Recorded at Fort Apache Studios, Boston, Massachusetts in February, 1994. Recording information: Fort Apache Studios, Boston, MA (02/1994). Fuzzy: Chris Toppin, Hilken Mancini (vocals, guitar); Winston Braman (bass); Dave Ryan (drums). Additional personnel: Mike Johnson (guitar).

Chris Toppin music CDs Exuding the optimism expressed in their third album's title, Boston poppers Fuzzy bring a sweet and lingering combination of bright vocal harmonies and reluctantly grouchy instruments that sample a variety of sounds and tickle a number of fancies. The careening "Over the Edge" sounds like a collision ...