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Jason Burkum Discography of CDs


Show only: CD (7)MP3 (5)

Jason Burkum Appears on

Davenport Davenport CD (1999)
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Jason Burkum CD discography Although just a debut seven-song EP, Davenport's self-titled release is an excellent exercise in blending much of today's mainstream power pop into one easily palatable release. This doesn't mean that Davenport merely recycles their influences, however, but they effectively spit out parts ...
Worldwide Worldwide CD (2003) 5 stars
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Jason Burkum discography WORLDWIDE won the 2004 Grammy Award for Best Rock Gospel Album. After releasing seven albums in eight years (including the current disc WORLDWIDE), there is no sign of relenting for Audio Adrenaline. The band coins a new phrase with the aptly titled "Church Punks," a fitting description of their marriage of rock attitude and deep faith. Guitarist Tyler Burkum steps up to the microphone for lead vocal duties on "Pierced" (with a sweeping gospel chorus backing him up) and "Leaving Ninety Nine," showing that he's more than ...
Today Today CD (2004)
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Jason Burkum albums The Swift (Christian Rock): Britt Edwards (vocals, piano); Mike Simons (vocals, bass guitar); Trae Drose (drums). Personnel: Jason Burkum (guitar, background vocals); Tyler Burkum (guitar); David Davidson (violin); Nathan Dantzler (trumpet, programming); Ben Strano (trombone). Audio Mixers: Nathan Dantzler; Tony Palacios. Recording information: West Main Studio, Franklin, TN. Editor: Jason Burkum. Photographer: David Studarus.
Swift Swift CD (2003)
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Jason Burkum CD discography Additional personnel includes: Tyler Burkum (guitar); Jason Burkum (guitar, bass, percussion, background vocals); Yogi (drums); Mike Lee (background vocals). Piano Based Pop Rock Personnel: Jason Burkum (guitar, percussion, background vocals); Brent Lain, Chris Byers, Dana Weaver, Tyler Burkum (guitar); Robert Harris (acoustic guitar); Mike Lee (strings, background vocals); Browning, David (strings); Bryan Patrick (percussion). Audio Mixer: Tony Palacios. Recording information: West Main Studio, Franklin, TN. Photographer: David Studarus. The Swift: Mike Simon (vocals, bass); Britt Edwards (vocals, piano); Chris Byers (guitar); Trae (drums, percussion).
Oneman Oneman CDs (1999)
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Jason Burkum music CDs Dez Dickerson's Oneman blends the distinctive guitar style he forged as the guitarist for Prince and the Revolution with his born-again Christianity. Released on his own Absolute Records label, Oneman keeps Dickerson's music itself at the forefront; songs like "Hello Again" and "For You For Me" showcase his guitar technique and his compositional skills, which recall his days with the Revolution as well as classic pop and rock influences like the Beatles. Meanwhile, Dickerson's beliefs play a strong yet non-preachy role in Oneman's songs, particularly on ...
Everything In Between Everything In Between CD (2005)
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Jason Burkum songs Recording information: The Hum depot, Nashville, TN. Editor: Jason Burkum. Personnel: Danny Oertli (vocals, guitar, acoustic guitar); Danny Oertli (guitars, strings); Tyler Burkum (guitar); Jason Burkum (acoustic guitar, baritone guitar, piano, percussion, background vocals); Chris Carmichael (strings); Ben Shive (accordion, piano, Fender Rhodes piano, harmonium); Ben Strano (horns); Greg Morrow, Matt Henderson (drums, percussion). Audio Mixers: Dave Beegle; Jeff Balding; Nathan Dantzler; Tony Palacios; Ben Strano.
Stereo Motion Stereo Motion CD (2003)
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Jason Burkum albums In September 2003, Flicker Records released Stereo Motion's self-titled debut. The foursome, made up of Bryan Nance Jr., Brent Lain, and brothers Dallas and Justin Morgan, offers listeners a 1960s/1970s classic rock sound the band hopes will endure for years to come. The album is bursting with musical energy and vocal passion, which was achieved by producer Jason Burkum's decision to record the project's basic tracks live in the studio. In an interview with the band's label, singer/songwriter Nance commented, "Recording the record live was a very cool idea to us because that's how so many of the great bands recorded in the '60s and '70s. It's a practice that doesn't happen that often anymore, and there were a lot of risky elements to the process. We had to really think and sweat through each song, but that gave us the chance to pour way more of ourselves into it than if we broke up each part ...

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