Maja Ivarsson Discography of CDs

Maja Ivarsson songs Dirty Work is All Time Low's major-label debut, bringing an end to eight years of independent releases. The song remains the same, though, with the band reprising its mix of anthemic emo-pop and Top 40 melodies. Audio Mixers: Ryan Shanahan ; Neal Avron. Photographer: ...

Maja Ivarsson music CDs Cobra Starship's Gabe Saporta first grabbed the world's attention with his catchy, tongue-in-cheek movie theme song, "Snakes on a Plane (Bring It)" (and its attendant video's all-indie-star cast), and then enjoyed some notice for his Gwen Stefani pastiche "Hollaback Boy." Here, he enlists the Ivy League's guitarist Ryland Blackinton and bassist Alex Suarez for a full-length album of exuberant and clever pop-punk built on brash guitars, funny hipster-skewering lyrics, and a confident vocal swagger that both apes and mocks emo conventions. While snark-infested tunes like "Pop-Punk is ...

Maja Ivarsson CD discography Swedish new wave revivalists the Sounds have always evinced a passion for '80s club-ready dance-rock, but on the band's 2011 studio album Something to Die For, dancing to hot beats is clearly the rallying cry. In fact, the band opens the album with the pulsing and atmospheric one-two punch of the dancefloor call-to-arms cut ...

Maja Ivarsson albums Inital pressings of this disc included a limited edition enhanced CD, with exclusive concert footage, a Tommie Sunshine remix of "Tony The Beat", and music video. Swedish alternative pop band the Sounds blend punk energy and 1980s-vintage keyboard sounds on their attractively packaged debut album. "Song with a Mission" is an energized dose of 21st-century ...

Maja Ivarsson discography Audio Mixer: Tim Palmer. Personnel: Jesper Anderberg (vocals, guitar, piano, keyboards, synthesizer); Felix Rodriguez (vocals, guitars); Maja Ivarsson (vocals); Johan Bengtsson (bass instrument); Fredrik Nilsson (drums, percussion).

Maja Ivarsson CD discography The Sounds embrace the decades-old bands that have inspired them to an unhealthy, cover band-like extent -- they pose for photographs as if they're Blondie, and they both look and play the part, with black T-shirts, faded jeans, and snappy three-minute songs with trebly keyboard vamps and tightly wound guitar riffs. But the thing ...