Let's Have A Natural Ball By Albert King

Of the numerous compilations of Albert King's classic material, Rhino's THE VERY BEST OF is among the finest. With 16 tracks that span the gamut from King's early-'60s recordings for the King label (including the punchy, jump-blues of "C.O.D.") to ...

This Collectables reissue highlights 24 tracks Albert King recorded in the late '50s and early '60s for the Bobbin and King labels. These post-Parrot, pre-Stax tracks find the left-handed blues guitar innovator formulating his big-city urban sound with the addition ...

Possessing a fluid, versatile guitar style and a smoky, understated voice, Albert King was a major influence on Stevie Ray Vaughn. (Vaughn readily acknowledged King's influence on him and often praised the elder's immense talent.) By the time of THE ...

Liner Note Author: Alfie Falckenbach. Track Listing: Bad Luck Blues; ; Murder; Wild Women; Searchin' For a Woman; California; Won't Be Hangin' Around; Howlin' For My Darlin'; Ooh-Ee Baby; Why Are You So Mean To Me; Need You By My ...

All of King's recordings for the Bobbin label are on this 22-track disc, including everything from his 1959-1963 singles for the label and previously unissued alternate takes of "Why Are You So Mean to Me," "The Time Has Come," and ...

Possessing a fluid, versatile guitar style and a smoky, understated voice, Albert King was a major influence on Stevie Ray Vaughn. (Vaughn readily acknowledged King's influence on him and often praised the elder's immense talent.) By the time of THE ...

Great compilation of King's Bobbin sides of the late '50s and early '60s. ~ Bill Dahl late 50s/early 60s, some prev. available only on singles Recorded between 1959 & 1963. Personnel: Albert King (vocals, guitar); Harold White (tenor saxophone); Freddie Robinette (baritone ...

Track Listing: I Walked All Night Long; This Morning; Had You Told It Like It Was; Don't Throw Your Love on Me So Strong; Let's Have a Natural Ball; Travelin' to California; I've Made Nights by Myself; Oowee Baby; Dynaflow; This Funny Feeling; Monologue; I Get Evil;

Possessing a fluid, versatile guitar style and a smoky, understated voice, Albert King was a major influence on Stevie Ray Vaughn. (Vaughn readily acknowledged King's influence on him and often praised the elder's immense talent.) By the time of THE ...

Possessing a fluid, versatile guitar style and a smoky, understated voice, Albert King was a major influence on Stevie Ray Vaughn. (Vaughn readily acknowledged King's influence on him and often praised the elder's immense talent.) By the time of THE ...

Great compilation of King's Bobbin sides of the late '50s and early '60s. ~ Bill Dahl Recorded between 1959 & 1963. Personnel: Albert King (vocals, guitar); Harold White (tenor saxophone); Freddie Robinette (baritone saxophone); Wilbur Thompson (trumpet); Ike Turner, Sam Wallace, Johnnie ...